Improve Your Ear!

By Carolyn Walter

You may find it strange to see a sheet music-related blog advocating playing music by ear. However, many experienced musicians – including those in our office – would agree that musical proficiency isn’t some stark dichotomy, with “good readers” in one camp entirely separate from people who “just play by ear.” To become a complete, balanced musician, and fully enjoy all that the art form has to offer, a performer must possess sound aural skills right along with a high level of musical literacy.

Start Simple:

Like a lot of things, playing by ear comes most naturally when a young musician is introduced to the concept from the very beginning.  For those lucky enough to be starting off on their musical journey, many beginning method books now feature added emphasis on playing by ear and improvising. The ever-popular Alfred’s Basic Piano Library series includes a corresponding set of books focusing solely on ear training:

Alfred's Basic Piano Library - Ear Training Book

Alfred’s Basic Piano Library – Ear Training Book

As for those of us who have been playing for many years without Continue reading ‘Improve Your Ear!’

10 Facts about the Oboe

By Zachariah Friesen

Oboe

Oboe

Fact 1: What’s an oboe? Oboe is a double reed instrument. A double reed consists of two flattened blades of bamboo that produce sound through the vibrations of one blade against the other.

Fact 2: A reed? A double reed!? Yes, actually serious oboe Continue reading ’10 Facts about the Oboe’

SuperBrass!!!

By Brendan Lai-Tong

Hey brass players, if you haven’t heard of the SUPERBRASS you really should check this group out!

The SUPERBRASS is a collective of some of the finest and most experienced professional brass and percussion players working on the demanding and vibrant London music scene. Members of SUPERBRASS are drawn from the ranks of the London Symphony Orchestra, the Royal Philharmonic Orchestra, the John Wilson Orchestra and the BBC Big Band and many more top orchestras and ensembles. Additionally members of SUPERBRASS are highly regarded educators and professors of music at the top London Music Colleges.

Kickstarter projects for Continue reading ‘SuperBrass!!!’

From Trash to Treasure – Landfill Harmonic

By Brendan Lai-Tong

Landfill Harmonic

Landfill Harmonic

One man’s trash is another man’s treasure“. It’s likely that you have heard, or even used this saying at some point. As easy as it is to use this phrase, seldom does it take on such a literal meaning like the story of the Recycled Orchestra. The orchestra is comprised of impoverished children from Cateura, Paraguay who have dedicated themselves to making music on instruments made out of only bits and pieces of trash. These instruments, gracefully constructed by director Favio Chavez and luthier Nicolas “Cola” Gomez, were made from objects found in the landfill close by. A film/documentary, Landfill Harmonicwill feature the orchestra.

Under the direction of Chavez, the orchestra has Continue reading ‘From Trash to Treasure – Landfill Harmonic’

Music Ministers – PREPARE!

By Brendan Lai-Tong

Those of you who are music ministers know how challenging it is to coordinate musicians, music and schedules to fit the needs of your church. We recently asked Judy Pringle from Canadian Choral Centre for her expert opinion on the matter.

Judy has served in the Church Music Ministry for over 30 years as a choral director, organist and pianist. In addition to church music, Judy enjoyed a professional singing career on stage and television.  In 1984, Judy founded Canadian Choral Centre, a retail music store in Winnipeg, Manitoba of which she is President.  In 2012, Judy joined Sheet Music Plus’ team as Director of Choral Marketing.

We asked Judy if she could provide us some examples of what she has used to be a more prepared and successful music minister.  Here is her response:

Judy Pringle - Canadian Choral Centre

Judy Pringle – Canadian Choral Centre

Early in my church music ministry I served at Trinity United Church in Portage la Prairie, Manitoba.  The Continue reading ‘Music Ministers – PREPARE!’

Artist Interview – Hans-Gunter Heumann (The Classical Piano Method)

 Hans-Gunter Heumann

Hans-Gunter Heumann

By Brendan Lai-Tong

If you’re a music teacher, it’s likely that you are on the lookout for the something new to help teach your students more effectively. Whether this is new repertoire, etudes, or method books, it’s always nice to branch out to see what else is out there. You’ll never know when  something new will work really well for a particular student!

While we were at the Music Teachers National Association Convention in Anaheim, California we had the pleasure of meeting Hans-Günter Heumann. Many of you may know of his contributions to the piano repertoire. His original compositions, arrangements and educational methods for piano are enjoyed by pianists around the world, especially in Germany.

Hans-Günter studied at the Continue reading ‘Artist Interview – Hans-Gunter Heumann (The Classical Piano Method)’

More Teaching Resources – Interview With Michelle Sisler (Keys to Imagination)

By Brendan Lai-Tong

Michelle Sisler

Michelle Sisler

Music lessons should never be a dull or boring experience. There are many great method books and resources that teachers can use to make music lessons fun, interesting and engaging for students of all ages. We were on the lookout for some of these resources while at the Music Teacher’s National Association Convention in Anaheim, California.  Some great resources that stood out were teaching aids and games from Keys to Imagination. Michelle Sisler was running the Keys to Imagination booth right next to ours at the show!

Michelle’s uses of technology and creative teaching materials have gained her national recognition and a Continue reading ‘More Teaching Resources – Interview With Michelle Sisler (Keys to Imagination)’

The Origin of the “New Symphony”

Hans Rott

Hans Rott

By Zachariah Friesen

Hans Rott was a prodigy. His new approach to the symphony was admired throughout Austria and was the subject of great discussion in musical circles in 1880. He was a Wagnerian composer, now considered the long lost link between fellow Austrian composers Anton Bruckner and Gustav Mahler. Likened to those Great Masters, Rott’s innovation and development of his themes as well as the orchestration and the propensity for heavy brass writing characterized his music. Themes of his Symphony No. 1 in E minor are nearly identical to that of Mahler’s “Titan” Symphony No. 1 that radically changed the concept of a symphony forever. It is believed Continue reading ‘The Origin of the “New Symphony”’

Tips for Teaching Rhythmic Fundamentals to Music Students

By Carolyn Walter

I can scarcely think of anything more fundamental to musicianship than rhythm. With few exceptions, I find that a solid rhythmic foundation is truly the root of a good performance.  A piece played with otherwise flawless accuracy sounds sloppy or even falls completely apart without proper rhythmic control; never mind if the notes were pitch perfect, the dynamics were  masterful and the ornamentation was authentic. I feel this is true regardless of ensemble size, style or instrumentation.  A choir/orchestra with 100+ members needs to hold together with precision, as does a small ensemble with just a handful.  Even an unaccompanied soloist playing in a very free, rubato style must have a strong sense of pulse to deliver her musical message most effectively.

Like so many things in music, the basics of solid time and rhythmic notation and accurate interpretation can be explained in a few hours . . and perfected over the course of one’s entire life.   While the elementary process of counting correctly can be summarized in just a couple of pages in a basic theory or method book like the following:

Alfred's Essentials of Music Theory Standard of Excellence Edly's Music Theory for Practical People

I find that Continue reading ‘Tips for Teaching Rhythmic Fundamentals to Music Students’

10 Facts about Mahler

By Zachariah Friesen

Mahler

As a young aspiring trombone player, exploring the world of Gustav Mahler, I listened to his 5th Symphony at least 20 times before I understood any of it. One night, after returning from an audition in Los Angeles, I listened to his 5th Symphony on repeat all the way back to San Francisco. At about 2am, and the 3rd repeat of the symphony I was finally able to wrap my head around it. The next hour listening to that symphony was truly one of the most enjoyable moments of my life. Here are some things that I’ve learned about Mahler that you may not have known: Continue reading ’10 Facts about Mahler’


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