Archive for the 'Music in Community' Category

A Chat with Lloyd Larson

Guest post from Jubilate Music Group

Lloyd Larson has become one of today’s most published and performed church music writers. A frequently called-upon clinic and conference resource, Larson has been a singer, keyboard player, and arranger.

Having earned his B.A. from Anderson University, Anderson, IN, Lloyd next completed his M.C.M. at Southern Baptist Theological Seminary (SBTS), Louisville, KY, and undertook additional graduate work at SBTS and Ohio State University.

Larson’s extensive background in arranging and composing includes arranging music for an internationally broadcast radio program. Also, in 1989, he completed an editorial assignment for a new hymnal, Worship the Lord, for the Church of God, and co-edited the accompanying Hymnal Companion. In addition, Larson contributed to the Complete Library of Christian Worship, edited by Dr. Robert Webber. He has served as a church music director for decades (a role he continues to this day), which has inevitably informed his artful and well-crafted yet practical original compositions and arrangements.

Recently, Larson sat down with Mark Cabaniss, President and CEO of Jubilate Music Group, to discuss his work and to help us all get to know him a bit better.

Mark Cabaniss, President and CEO of Jubilate Music Group (MC): What and when was your first published piece of music? How did it feel to see your music and name in print for the first time?

Lloyd Larson (LL): My very first publication was a two-part Advent anthem titled Love Will Be Born. It was published by Beckenhorst Press in 1982 and was a collaborative project with lyricist Mary Kay Beall. Mary Kay and her husband, composer John Carter, lived in Columbus, Ohio, where I was living and serving on a church staff at that time. I had the opportunity to meet John and Mary Kay and study with John for a few years. At the time, John was doing adjunct editorial work for Beckenhorst. He introduced me to the legendary composer John Ness Beck, one of the co-founders and president of Beckenhorst. It was an amazing experience to see that first piece come into print! Though I had been involved with choirs using published music from my teen years, I had little knowledge of the sequence of steps involved from “idea to publication.” I’m forever indebted to John and Mary Kay for their influence as they guided me through the process and introduced me to numerous people who have been instrumental in encouraging me on my journey as a composer.

MC: What do you enjoy most about the compositional process?

LL: For me each piece involves its own unique journey. I try to avoid thinking, “I want this piece to sound like….” That’s especially true with sacred choral anthems. Though I’m a composer and love to find a melody, harmonic structure, and rhythmic framework that work, the reason we sing in the context of worship is because of the lyric. As a result, it is essential when I sit down to create music to go with a text that I build a distinctive vehicle (music) that will underscore and create a path by which that lyric is heard in fresh and meaningful ways. I love discovering new ways to express the profound truths of our faith. I love unearthing new treatments to familiar hymn melodies. I love finding a distinctive marriage between a familiar hymn text with a new or different hymn tune than what is typically associated with it. When these moments happen for me in my studio and they impact me in a new way, I’ve come to believe they will have a similar impact on others as well.

MC: Who have been the most influential people in your writing career?

LL: I’ve already mentioned the impact that composer John Carter and his wife, lyricist Mary Kay Beall, had on my early writing career. But there have been many others along the way. I would call them the “giants along my path.” The late John Ness Beck and Fred Bock were also strong encouragers in the early years of my career. George and Bill Shorney, Lew Kirby, Jack Schrader, Larry Pugh, Gilbert Martin, and Jean Anne Shafferman along with numerous others have been profound influences in my writing with their input and encouragement. They have seen potential in my work and often pushed me outside of my own comfort zones to try some things I would never have considered. But I would be remiss if I didn’t go back and recall the early influence of my mother (my first piano teacher) and my high school and college teachers who encouraged me to explore my interests in writing, even providing me platforms to try out some of my earliest writing endeavors. Writing for “real live singers and instrumentalists” in college and church settings helped me to discover quickly what worked and what didn’t work. I’ve continued to be involved in church work over the years (now 40+ years) which has been essential in shaping my approach as a composer of church music.

MC: With the changing tides of church music styles over the last few decades, what encouragement can you give to choir directors of today’s church?

LL: I will always be an advocate for church choirs. I strongly believe in them! (And it is not just because I depend on them for my livelihood.) They provide such a unique opportunity for ministry in the local church. The church choir I’ve directed for the last 25 years is a very tight community. The pastoral staff in our church calls the choir our “largest small group.” And I think they’re right. We are a community for 40+ people who typically gather a couple of times a week to rehearse and sing in worship. In the process of working on music together, we develop our musicianship while at the same time studying together the truths of our faith through the words that we sing. We are a multi-generation ensemble ranging in age from teens to my eldest bass who is 93 (and the most faithful member I have in the choir!). We regularly pray, cry, and laugh together. We celebrate life achievements, and we mourn losses together. We sing every style of music imaginable from the classics to beloved gospel songs with harmonica. (Yes, I have an outstanding harmonica player in my church…so why not?!?!?!) There are few, if any, settings in the life of the church where you can live life and faith in such a community. When the day comes that I’m no longer writing choral music or directing choirs, I anticipate singing in a choir. That’s how much I believe in them!

MC: You have a new cantata out this year (with Mark Hayes) titled Seekers of the Light. What is the thrust of this work?

SeekersOfTheLight

LL: “Light” is a metaphor for goodness and God’s presence throughout scripture. As people of faith, we are always on this journey to experience more of the “light of Christ” as we seek out His will and presence in our daily living. And this was true for the earliest followers of Christ, even those who first saw and recognized Him as the fulfillment of Old Testament prophecies. They were guided by light (bright angelic hosts and celestial stars) to the Promised Child. We are all seekers of light when it comes to understanding our faith or life in general. And it is an ongoing journey. We will never “arrive” until we reach our final destination, our heavenly home. As a result, Seekers of the Light is an appropriate title and thrust, it seems to me, for recalling the pilgrimages of the earliest worshipers of Christ while at the same time uniting us with those worshipers in our own journeys as we seek to understand and know this One who called Himself the “light of the world” (John 8:12). It was a pleasure to collaborate with my longtime friend and colleague, Mark Hayes, on this project. I’ve been a fan of Mark’s music over the years, having used a ton of his music in my own ministry. So to partner with him on a project like this is a special treat for me. It is certainly my prayer that this cantata will impact and encourage directors, choirs, and congregations as they prepare and present it in the coming months!

MC: Is there a writing project you have yet to tackle or hope to accomplish?

LL: I always have an ongoing list of projects which I hope to tackle at some point down the road. The list is longer than I’ll ever get done in this lifetime (kind of like my “to-do” list of home projects that I’m wanting to tackle!). It is a grass-catcher list of ideas that has been spawned by a line in a sermon, or a passage of scripture, or a brief idea that has surfaced from a hymn text. I probably won’t divulge too much of that here. (I mean I don’t want Joe Martin, Mark Hayes, or Mary McDonald stealing my ideas! Ha!) One of the areas I’d love to pursue a bit more is to occasionally do a musical project outside of Christmas or Easter themes. As much as I love doing extended work on those themes, it is nice to have the opportunity to develop an extended work in other thematic directions. The reality, though, is that we who are church composers don’t get that opportunity too often simply because of the nature of our core market. I did recently have an opportunity to do a large commission project based on a group of Psalms which was truly a challenging and gratifying experience.

MC: Do you have a story of something you’ve written?

LL: On December 14, 2012, I happened to be working on a lyric by Susan Boersma. Susan is a fabulous lyricist and had created a lyric based on Revelation 22:5 that I had asked her to consider. That particular day – a Friday – was the day a lone gunman burst into Sandy Hook Elementary School in Newton, Connecticut and senselessly took the lives of twenty young children and six adult staff members in a matter of minutes. On that day, the words I was setting became deeply personal and hopeful in what was a very dark moment for many in that community and beyond:

“Into the valley of shadows, under the veil of gray, God calls the good and faithful, then guides us on the way. Through the valley of shadows, lost in the dark of night, our God goes before us to lead us to the light. There will be no more night! No need for lamp or ray of sun, the Lamb will be the light. There will be no more night! No need to fast, to watch, to weep around the throne so bright.”

That anthem, Dwell in the Light Forevermore, holds a special place in my heart because of the circumstances which surrounded its creation.

MC: “Getting to Know…Lloyd Larson” — Our “Lightning Round” of quick questions and answers:

1. What is on your summer reading list?

LL: The Next Person You Meet in Heaven (Mitch Albom), Unshakable Hope (Max Lucado), The Reckoning (John Grisham), Vanishing Grace (Philip Yancey)

2. What types of music do you listen to most?

LL: I try to listen to a little bit of everything, from the classics to outstanding (and current) choral writers. I love jazz and big band sounds. My wife and I just this week went to an outdoor drum and bugle competition (DCI) in a nearby community, something we enjoy doing when the opportunity affords itself. I’m a big John Williams fan with some of his classic movie themes. As a teenager, I was a big “Chicago” fan, and many of those melodies are rooted deep in my memory. I’m not sure I have a favorite genre, per se. I’m pretty eclectic in my tastes.

3. What is your favorite vacation spot?

LL: As a kid growing up in central Illinois, my family often vacationed on a lake in northern Wisconsin. I fell in love with the northwoods in those years. And I still love them! Most summers will find my wife, Marci, and I carving out a few days between summer travel commitments to spend some time on a northern Minnesota lake somewhere enjoying some quiet time. That’s on our schedule for later this summer. It is often a small “mom & pop” resort of modest cabin somewhere where the biggest agenda of the day may be “Should we grill out, or drive into town and find a restaurant for dinner this evening?” We enjoy the quiet beautiful scenery, some fishing, reading, and a lot of down time. It is a wonderful way to recharge!

4. What is your favorite summertime frozen treat?

LL: One of my biggest disappointments in recent years is that it appears that every DQ [Dairy Queen] in the upper Midwest has discontinued the Snickers Blizzard. This was my favorite for years! But I must have been in the minority. So I’ve been exploring other chocolate-influenced Blizzard options. I haven’t landed on a new favorite as of yet. But I’m working on it. Stay tuned!

MC: Thank you, Lloyd, for spending some time with us so our readers can get to know you a bit better. Your contributions to church music are immeasurable, and your music not only enriches lives, but most importantly, is building God’s Kingdom. Blessings to you in the years ahead, and we look forward to more exciting music creations from you!


Jubilate Music Group is dedicated to publishing a broad range of resources stylistically suited to meet the diverse needs of churches and schools. The Jubilate Music catalog is comprised of choral, piano, organ, handbell, vocal, and instrumental publications ranging from adult choral anthems, extended works and folios to music for children’s choir and praise teams.

Is All Music Equal? (via Laura Lamere and Henry Hoagland)

The music scene at Wesleyan University has been the subject of books and countless news articles, all while capturing the attention of young artists and musicians around the country. And why not? Recent graduates, including Santigold, Himanshu Suri and Victor Vazquez of Das Racist, Dylan Rau and Ted Feldman of Bear Hands, as well as […]

via Is All Music Equal? — Laura Lamere

Introducing ArrangeMe: Legally Create and Sell Arrangements for over 1000 Copyrighted Songs

Start creating the arrangements you’ve been dreaming of. Arrange over 1000 hot copyrighted songs.

Sheet Music Plus is excited to announce ArrangeMe, a groundbreaking program that allows arrangers to create and sell arrangements of copyrighted music exclusively on Sheet Music Plus through the digital self-publishing platform SMP Press. Sheet Music Plus worked with music publisher Hal Leonard to provide SMP Press users with over 1000 songs, from Broadway showstoppers to award-winning hits. It’s free and easy to participate. Sheet Music Plus, together with Hal Leonard, handles payments to copyright holders so arrangers have more time to create. Continue reading ‘Introducing ArrangeMe: Legally Create and Sell Arrangements for over 1000 Copyrighted Songs’

Spring School Choral Concert Winning Programs!

This spring, Sheet Music Plus held a school choral program contest, in which choir directors at the elementary, middle, high school and college levels were encouraged to submit the repertoire list for their schools’ spring choral concerts. The choral programs were judged based on originality, thematic content and age appropriateness. The winners received a $200 gift certificate to Sheet Music Plus. They shared the inspiration behind their creative programming with us. Congratulations, winners!

Elementary Winner
DeLeigh
Iron Forge Elementary School
Boiling Springs, Pennsylvania
Theme: “The Iron Forge Construction . . . Through Music of Course!”

“I was working down the hall one day last spring when I heard a very loud “bang, bang” Continue reading ‘Spring School Choral Concert Winning Programs!’

Playing in a Pit Orchestra: Anecdotes and Advice from a Percussionist

by Ryan Blauvelt

Places. Lights up. Downbeat. It’s the order of things for playing in a pit orchestra for musical theater productions.  The culmination of many hours of rehearsals, score study, listening sessions, and custom edits in order to bring together cast, crew, and of course musicians for a couple weeks of “showtime!”

It’s spring and that means musical theatre productions.  Playing musicals is something I’m pretty good at, especially when it comes to last minute notice.  I’ve been hooked on playing musicals ever since getting picked to play drum set in my high school’s first musical production, “Guys and Dolls”. It was a lot of pressure being in the driver’s seat for a music ensemble. Also, being depended on by actors and actresses for steady tempos, sharp hits, and joke reinforcement adds another layer of complexity.  But I loved the thrill of learning so much music very quickly and making quick changes to fine-tune my contribution to a well-performed show. Continue reading ‘Playing in a Pit Orchestra: Anecdotes and Advice from a Percussionist’

Publishing Models for the Independent Composer

New Music GatheringOn January 15, 2015 during the New Music Gathering at the San Francisco Conservatory of Music, Sheet Music Plus CEO Jenny Silva gave a presentation on publishing models for the independent composer.  Her presentation, available as a PDF by clicking on the link below, discusses the various methods through which composers may publish their music and the advantages and disadvantages to each.  It is a must read for any composer, new or seasoned, wishing to gain more exposure for his/her work.

New Music Gathering_v2

New Year’s Music Selling Contest for Composers, Arrangers, and Songwriters

New Year's Selling_Contest Graphic_443x140_v2.jpg

Composers, Arrangers, and Songwriters:  we’ve got another exciting contest for you happening now through the end of December.  Upload your sheet music and mp3 recordings to automatically enter the New Year’s Music Selling Contest. The more titles you upload, the greater chance you have of winning!

Let Sheet Music Plus help you accomplish a New Year’s resolution of publishing and selling more of your music.  Upload the best-selling title in the below categories and win $300! We encourage you to upload as many titles as possible across the categories below in December, then promote and sell your titles from January 12 – February 15.  The submission period has already started so start uploading your titles ASAP!

Here’s how it works:

  • December 1-31, 2014 – Upload new original compositions and arrangements to your Digital Print Publishing account
  • January 10, 2015 – All titles will be live on sheetmusicplus.com
  • January 12 – February 15, 2015 – Selling competition period
  • February 20, 2015 – Top-selling products at end of selling competition period will be announced

Categories:

  • Instrumental: Concert Band, Jazz (Big Band, Combo), Orchestra (full and string), Chamber Ensemble, Solo
  • Sacred Choral: all voicings
  • School/Community Choral: all voicings
  • Piano: solo, 4-hand, duets

Contest Prizes

  • Best-Selling Instrumental – $300
  • Best-Selling Sacred Choral – $300
  • Best-Selling School/Community Choral – $300
  • Best-Selling Piano – $300

Stay tuned for more strategies on how to market and promote your music once the competition selling period starts.  If you have any questions, please leave a comment below or write an email to : helpdigitalpublishing@sheetmusicplus.com

For your reference, here’s the link for Digital Print Publishing:

https://digitalprintpublishing.sheetmusicplus.com/

SIGN UP | SIGN IN  

Terms and Conditions:

*All entries must be titles uploaded for the first time. Sheet Music Plus reserves the right to disqualify a title due to copyright concerns, violation of contest terms, content deemed inappropriate, or any other reason. Rights to all uploaded titles remain the property of the original owner. All titles associated with this contest are subject to our Digital Print Publishing Terms and Conditions.

Top selling Digital Print Publisher Miranda Wong gives insight into her success.

Composer, arranger and pianist Miranda Wong

Composer, arranger and pianist Miranda Wong

Miranda Wong is a wedding pianist and pop piano teacher in Hong Kong.  She composes and arranges over hundreds of pieces for piano.  She mainly writes music for weddings and Christmas and easy arrangements for children and jazz exercises.  Her original wedding music and arrangements of classical music are widely used in wedding ceremonies in many countries, especially her Romantic Wedding MarchRomantic Amazing Grace, and Traditional Canon in D.

Ms. Wong recently released her first piano book and album called “True Love” for simple piano music.

Miranda Wong is a top-selling self-publisher through Digital Print Publishing, a program that allows composers and arrangers the opportunity to upload their music for free to www.sheetmusicplus.com and earn royalties.  Composers world-wide have achieved success with this program.  Ms. Wong, a resident of Hong Kong, has had her music played at weddings all over the world.  In the following interview, she gives insight into arranging and Digital Print Publishing. Continue reading ‘Top selling Digital Print Publisher Miranda Wong gives insight into her success.’

Composer Success Story: David Burndrett

David Burndrett’s musical career started at an early age. During his first years at high school, he supported many amateur operatic societies and orchestras, playing either cello or double bass.

David attended Chetham’s School of Music in Manchester, England for four years, and was awarded the Ida Carroll string prize during his final year. He played in the National Youth Orchestra and Chamber Orchestra from 1993 to 1995. David left Chetham’s in 1996 to broaden his musical training at Guildhall School of Music and Drama in London, where he studied solo classical and orchestral technique with Thomas Martin. Additionally, David was accepted onto the jazz course where he was able to form alliances with many players. David and his colleagues formed the Tom Allen Quintet, who won the Perrier Jazz Award in 1999. David also arranges and composes music and sells his music internationally online.

David is a regular extra with the Halle, BBC Philharmonic, City Of Birmingham Symphony, English Symphony, Manchester Camerata, Sinfonia Viva, Orchestra da Camera and others.

David Burndrett is one of the top self-publishers in the Digital Print Publishing program offered through Sheet Music Plus.  Digital Print Publishing allows composers and arrangers to upload their music to www.sheetmusicplus.com for free and earn royalties.  In an interview with Sheet Music Plus, David answered the following questions about his musical career and how Digital Print Publishing has helped him achieve success. He demonstrates that if you are arranging and composing music for your students, it is very likely that other teachers and musicians are also looking for similar pieces. Why not try to sell your music?

Continue reading ‘Composer Success Story: David Burndrett’

Why Supporting Local Music Matters

Not only is it back to school season, it’s also the time of year when local symphonies and bands, both professional and community, begin their new seasons. Orchestras and bands exist in all 50 states and nearly every community. The Performing Arts Alliance estimates that there are approximately 1800 orchestras alone in the United States, including professional, paid orchestras, volunteer orchestras, collegiate orchestras, and youth orchestras. Do you have an orchestra or band in your community? If you don’t know, it is very likely that there is at least one in your town or county. During the 2014-2015 performance season, we challenge you to go to at least one concert of a local community group, and here’s why:

Community music groups are great for local economies. How many times have you and your friends or family gone out for dinner before or after a sports game or important school function? Musical performances encourage spending at local restaurants, parking facilities, shops and more.

Music organizations create jobs – and not just for the musicians. Depending on the size of the group, it may have an executive director, a marketing team, a personnel manager and music librarian, just to name a few. Even small community groups will require stage crew at venues, box office attendants, and ushers to distribute programs.

Orchestras and bands play an important role in music education and community engagement. Musicians from these groups will often visit local schools and provide educational assemblies, instrument petting zoos, and even coachings on their instruments to students in the music program. Some groups give free performances or open rehearsals in senior living centers, or free, family friendly concerts in local parks. Even the country’s most esteemed musical organizations perform special concerts for children and families. For example, the San Francisco Symphony recently performed live music from several Pixar movies with clips and memorable scenes playing in the background.

To reach a wider audience, orchestras and bands have expanded their musical selections beyond the traditional repertoire. Not everyone finds the standard Bach, Beethoven or Brahms appealing, and there is a lot of great music for orchestra and band from the movies and even video games. So, if you aren’t a particular fan of classical music, look up your local group’s programming for the season and select a concert to attend that will interest you.

This only scratches the surface of the many reasons it is important and FUN to support local music. If we are preaching to the choir and you already do support local music, share this with your friends! Invite them to a concert. Ask them to attend one of your performances. Attend a concert with them – make it an event and go out to dinner before or dessert after. We want everyone to attend one local music concert this season! Lastly, please chime in with reasons why and how you support music in your community.


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