Just 30 or 40 years ago, the Tenebrae service was foreign to many a church, despite the service’s ancient roots. The Roman Catholic Church embraced it early, but it has only become popular and more regularly practiced in Mainline Protestant churches (and even some traditional evangelical churches) in recent decades.
These “services of darkness,” as they are often called, have become a “bright spot,” one could say, for churches around the world that are looking for fresh and creative ways to impart the Holy Week journey.
Sacred music publishers have responded to the heightened awareness of Tenebrae with a variety of publications that are ready to prepare and present as complete Tenebrae services with appropriate music and narration.
Tenebrae is a special service for Holy Week that can be conducted on Holy Wednesday, Maundy Thursday or Good Friday, or any day of Holy Week when a church has a regular or additional special service.
The name “Tenebrae” comes from the Latin for “shadows” or “darkness,” and denotes a service of shadows. The Tenebrae service makes use of gradually diminishing light as candles are extinguished one-by-one to guide the congregation through the events of Holy Week from the triumphant Palm Sunday entry through Jesus’s burial. more “Dark Is the New Bright”…
Composer and pianist Ola Gjeilo was born in Norway in 1978 and moved to the United States in 2001 to begin his composition studies at the Juilliard School in New York City, where he currently resides.
Ola’s recordings include the Decca Classics albums Ola Gjeilo (2016) and Winter Songs (2017), featuring Tenebrae, Voces8, and the Choir of Royal Holloway. His choral and piano works are published by Walton Music and include titles such as the Sunrise Mass, Northern Lights, Ubi Caritas, Tundra, and Ave Generosa. His wind band works are published by Boosey & Hawkes.
For more information, please visit olagjeilo.com or find Ola on Facebook, Twitter, and Instagram.
When did you start composing?
I started playing piano and improvising when I was about five years old. As a child, I had a pretty good ear and was fairly quickly able to hear which notes worked together and which ones didn’t. I didn’t read music until later on because I just wanted to do keep improvising and creating things. I never had a moment in which I decided to become a composer though; it was something I had been so passionate about from a young age, and I never thought of doing anything else. more “Composer Spotlight: Interview with Ola Gjeilo”…
Years ago, I had the privilege of participating in a week-long choral arranging workshop led by legendary choral composer/arranger Alice Parker, held at Westminster Choir College in Princeton, New Jersey. That week spent with Ms. Parker had a tremendous impact on not only my own choral composing and arranging, but my eventual role as a publisher as well. Of the many wise and invaluable things she said to the class, one of several that resonated with me was when she said “There are good marshmallows and bad marshmallows.” more “Sacred Spotlight: Good Marshmallows”…
Teaching Music through Performance is a best-selling series of books and CDs that are theoretical, practical, and analytical. Written, researched, and compiled by scholars with a wealth of teaching and conducting experience, this series enables conductors, educators, and students to move beyond the printed page toward full musical awareness. Sheet Music Plus had the opportunity to learn from the publisher what inspired the creation of the series.
The first edition of Volume 1 was for band and was released at the Midwest Clinic in 1997. This year, 2017 is the 20th anniversary of the series. The Teaching Music through Performance series now includes 26 volumes, 16 for band, three for jazz, three for orchestra, and four for choir. In addition, each volume has accompanying CDs.
Walton Music serves the choral community by publishing works by noted composers such as Eric Whitacre and Ola Gjeilo, and promoting both new compositions and the preservation of classics such as Vivaldi’s Gloria. Editions in the Walton catalog number in the thousands. Susan LaBarr, Editor of Walton Music, gave Sheet Music Plus insight into what makes their catalog so special and what’s new and exciting in 2017.
Contributed by Steve Shorney, Vice President – Hope Publishing
Hope is proud to celebrate its 125th anniversary this year! We were founded in 1892 in Chicago, Illinois. The company was formed in an effort to provide songbooks for hymn singing at Methodist evangelical meetings. The founders of the company christened the name Hope Publishing Company from their motto, “all we have is hope” which defined their feelings when starting the fledgling business. The Shorney family has been running Hope Publishing from its beginning and the current owners, John, Scott and Steve Shorney, are the fourth generation of family management.
Iconic imagery of the Easter story is paired with a beautiful melodic figure that weaves throughout the entire work to help present and guide the audience through this work. The music by Pepper Choplin, accompanied by Michael Lawrence’s stunning orchestration, powerfully represents the high and low moments of Christ’s death, burial, and resurrection. Additional choruses and hymns illumine the journey, including the haunting “Go to Dark Gethsemane,” the spine-tingling “Judas,” the mournful “Surely He Has Borne Our Griefs,” the transportive “You Will Be with Me in Paradise,” and the majestically triumphant “Every Knee Should Bow.”
1. The Easter Story by Thomas Fettke & Thomas Grassi SATB Performance Time: 35 minutes
The Easter Story combines a profound narrative by Ken Bible with musical selections from Tom Fettke and Thomas Grassi. Fettke and Grassi have drawn upon several folk music sources, including hymns from The Sacred Harp and The Columbian Harmony, and spirituals, carols and songs from English, Irish and Hebrew traditions. The narrative is steeped in scripture, helping to relive the events in Jerusalem leading up to Jesus’ death and resurrection.