Guest post by Linda Hawken, MD of Edition Peters Europe, and Kathryn Knight, President of C.F. Peters, USA
Being a music publisher in the 21st century presents many different challenges to those faced by publishers at the beginning of the industry 200 years ago. Nowhere is this better illustrated than at Edition Peters, founded in Leipzig in 1800 – a time when the idea of music copyright was only just starting to be thought about, with no laws in place to protect the composer. Instead, a successful publishing relationship depended solely on a close and ongoing collaboration with the composer.
Edition Peters’ unique history tells one of the most extraordinary stories of the music-publishing world. The roster of composers with whom Edition Peters worked directly across the 19th century is dizzying, from Beethoven to Grieg and Mahler.
Edition Peters created the first editions of some of the most famous compositions of all time, with those editions being proofread and corrected by the composers themselves long before the concept of “Urtext” was conceived. Yet despite the provenance of these important editions, it became fashionable in the later 20th century to disregard them – and the unique value of the composer’s direct input – in favor of Urtext “interpretations” by musicologists.
The concept of the Urtext only emerged in the early 1930s, devised by musicologists who aimed to get closer to “the composer’s intentions” by reviewing multiple sources. Indeed it was Edition Peters who released one of the very first Urtext editions with its 1933 edition of J. S. Bach’s Inventions and Sinfonias. After the Second World War, other publishers took on this concept, producing their own Urtext editions. However, this led to much confusion about the meaning and significance of the editions, and whether they reflected the composer’s true intentions.
Guest post by Morgan Roberts, Director of Production, Sales & Marketing for Jubilate Music Group
Jubilate Music Groupis the culmination of many years of various developments in the lives of several individuals and the music print industry. These developments led to the consolidation of three separate and distinct music publishing catalogs, each with its own individual history: Alfred Sacred, Jubilate Music, and H.W. Gray. The result is Jubilate Music Group, an eclectic stylistic blend of sacred and secular choral, vocal, handbell, and instrumental publications for adults and children.
Alfred Sacred – Jubilate Music – H.W. Gray
As a result of the consolidation and acquisitions described in this blog, Jubilate Music Group also contains the sacred compositions from the historic Belwin-Mills and Gordon V. Thompson catalogs plus the entire Brodt Music Publications and Good Life Publications catalogs. From Handel, Hopson, and Hayes to Puccini, Penderecki, and Purifoy…Jubilate Music Group catalogs contain a combined 150+ years of rich music publishing history. When considered retrospectively, the changes and developments that came together to ultimately create Jubilate Music Group make its birth true to the meaning of its name:
One of the most thrilling parts of working with music is discovering new works and budding composers who are changing not only the way we listen to music and perceive sound, but also how we conceive of the broader world around us and our place in it both today and into the future.
Edition Peters has consistently championed contemporary music throughout its storied history, and with its ever-expanding catalog, Peters continues to be one of the staunchest supporters of the artists who shape the future of our musical landscape. Here Kathryn Knight, President of C.F. Peters New York, illuminates the Peters commitment to new music:
Peters has been working with contemporary composers since its inception in Leipzig over two centuries ago, publishing new music by young and emerging composers such as Beethoven, Schumann, Mendelssohn and Grieg… Our commitment to bold new sounds has remained steadfast since that time, signing 20th-century iconoclasts such as John Cage and George Crumb. We know that some of today’s mavericks will be the composers of tomorrow’s classics.
– Kathryn Knight, President, C.F. Peters NY
A Short History of Edition Peters
Edition Peters was founded in 1800 in Leipzig, Germany, and quickly established itself as one of the 19th century’s leading German music publishing houses, building relationships with the most outstanding composers of the era. In the 20th century, Max and Walter Hinrichsen — surviving members of the German Jewish family that owned Edition Peters — fled the Nazi takeover of both their homeland and their family business and established new publishing houses in London and New York, respectively, that would carry on the Peters tradition.
Start creating the arrangements you’ve been dreaming of. Arrange over 1000 hot copyrighted songs.
Sheet Music Plus is excited to announce ArrangeMe, a groundbreaking program that allows arrangers to create and sell arrangements of copyrighted music exclusively on Sheet Music Plus through the digital self-publishing platform SMP Press. Sheet Music Plus worked with music publisher Hal Leonard to provide SMP Press users with over 1000 songs, from Broadway showstoppers to award-winning hits. It’s free and easy to participate. Sheet Music Plus, together with Hal Leonard, handles payments to copyright holders so arrangers have more time to create. more “Introducing ArrangeMe: Legally Create and Sell Arrangements for over 1000 Copyrighted Songs”…
Piano teachers, have you ever wondered about the creative process that goes into developing a piano method? In September 2015, I had the privilege of interviewing Morty Manus, former president of Alfred Music Publishing and co-author of the popular piano method series Alfred’s Basic Piano Library. He and his wife, Iris, shared with me the story of how the popular piano method series Alfred’s Basic Piano Library was born.
I was deeply saddened to hear of Morty’s passing early in 2016. He was so charming and full of life just a few short months earlier. How lucky I was to have participated in this interview and, with the support of Alfred Music’s fine recording studio staff, publish these videos in honor of him. The interview is separated into thirteen chapters, each of which is summarized below.
Composers, Arrangers, and Songwriters: we’ve got another exciting contest for you happening now through the end of December. Upload your sheet music and mp3 recordings to automatically enter the New Year’s Music Selling Contest. The more titles you upload, the greater chance you have of winning!
Let Sheet Music Plus help you accomplish a New Year’s resolution of publishing and selling more of your music. Upload the best-selling title in the below categories and win $300! We encourage you to upload as many titles as possible across the categories below in December, then promote and sell your titles from January 12 – February 15. The submission period has already started so start uploading your titles ASAP!
Here’s how it works:
December 1-31, 2014 – Upload new original compositions and arrangements to your Digital Print Publishing account
January 10, 2015 – All titles will be live on sheetmusicplus.com
January 12 – February 15, 2015 – Selling competition period
February 20, 2015 – Top-selling products at end of selling competition period will be announced
Instrumental: Concert Band, Jazz (Big Band, Combo), Orchestra (full and string), Chamber Ensemble, Solo
Sacred Choral: all voicings
School/Community Choral: all voicings
Piano: solo, 4-hand, duets
Best-Selling Instrumental – $300
Best-Selling Sacred Choral – $300
Best-Selling School/Community Choral – $300
Best-Selling Piano – $300
Stay tuned for more strategies on how to market and promote your music once the competition selling period starts. If you have any questions, please leave a comment below or write an email to : firstname.lastname@example.org
For your reference, here’s the link for Digital Print Publishing:
*All entries must be titles uploaded for the first time. Sheet Music Plus reserves the right to disqualify a title due to copyright concerns, violation of contest terms, content deemed inappropriate, or any other reason. Rights to all uploaded titles remain the property of the original owner. All titles associated with this contest are subject to our Digital Print Publishing Terms and Conditions.