Posts Tagged 'Vocal'

Lee & Susan Dengler: A Holy Week Cantata Reflecting on Sacrifice and Sorrow

Guest post by composers Lee & Susan Dengler introducing their new Holy Week cantata, When Darkness Comes. Lee and Susan are the authors of over 400 choral anthems, cantatas and vocal and piano solo collections that are used worldwide. They have served as music leaders in churches, and have taught music on the elementary, high school and college levels. Both are professional singers and have performed in recitals, operas, oratorios and musicals. They reside in Goshen, Indiana.

LeeDenglerSusanDengler

Lee Dengler & Susan Naus Dengler

Easter was in mid-April that year. We who work in church music are relieved when Easter comes that late in the season, allowing adequate time to prepare for the music of Lent and Easter.

However, there was a lot going on in our house back then. We were awaiting the birth of our second child. The due date was April 1. Because of church responsibilities, we hoped that this baby would arrive on time. Rebecca Joy only made us wait two extra days before she appeared on the scene. Even though Palm Sunday was only two days later, we could fulfill our Holy Week responsibilities without too much stress.

There were, however, a few things that we hadn’t counted on. First, Lee had only recently begun a new daytime job. Also, we had no idea what it would mean to care for a newborn in addition to our firstborn son, Jason, who was only 18 months old. And then Susan contracted the nasty virus that was making its way through our community. All this would have been enough to overwhelm two young adults, but then Lee’s grandfather, Grandpop Dengler, was suddenly confronted with critical health problems — problems from which he never recovered. Although there were many things for us to be happy about, Holy Week that year was also tinged with some personal darkness.

Ready or not, the week that marked Jesus’s journey to the cross arrives on an annual basis, whether our lives are bathed in joyous light or mired in shadows. Whatever the case, this holiest of weeks affords us the opportunity to truly experience what we believe as followers of the One who faced the darkness of the cross for our sakes. It is a time to place the hope of Jesus’s resurrection against the backdrop of death and grief.

Quiet reflection allows us to move from the somber moments of Christ’s sacrifice to a most joyful celebration of Easter. Daily disciplines, such as reading the Gospels and contemplative walking, can help us focus our minds. Praying the “Lord’s Prayer” or the 23rd Psalm can be excellent models for our prayers during these days. Listening to music, such as Handel’s Messiah or hymns that speak of Christ’s Passion, can also help to lead us to the light and hope of His victory over death.

WhenDarknessComesIndeed, music has always served as a perfect vehicle to enhance our observance of Holy Week. It has been our personal privilege to create some of the music and texts that portray the sacrifice that Jesus endured for our sakes. In recent months, we have considered the deep darkness that our Savior knew during those days — the physical darkness of that Thursday evening, and the spiritual and emotional darkness of His trial and crucifixion on Friday. This was the greatest darkness the world has ever known. What a blessing to consider that the one who willingly faced this time of profound darkness is with us when we experience dark times in our own lives. Out of these thoughts came our new cantata, When Darkness Comes.

This 20-minute work can be used in a variety of ways to enhance your Holy Week worship. Included are suggestions for the extinguishing of candles for a Tenebrae style service, and for PowerPoint visuals that can be displayed throughout the course of the presentation. A communion service might be an excellent preface to the cantata’s presentation. Options for congregational participation make it possible for everyone to be involved in the retelling of this story. It is our sincere prayer that When Darkness Comes will prove to be a most meaningful part of your congregation’s Holy Week experience.

For more insight into the composers’ inspiration for the cantata and to listen to excerpts, watch this digital reading session:

New Complete 23-Volume Bach Vocal Edition from Carus Verlag

Bach vocal reaches its finale

Carus sets new standards in Bach editions

During the Reformation Jubilee Year, Carus-Verlag Stuttgart in co-operation with the Bach-Archiv Leipzig have completed their ambitious editorial project “Bach vocal” – the Stuttgart Bach Edition now contains Johann Sebastian Bach’s complete sacred vocal oeuvre. From now on, the choral and orchestral material of all the motets, masses, passions, oratorios, as well as more than 200 cantatas by the famous kantor of St. Thomas’s Church – all at the current state of research – is available from Carus. Here, Carus has set a new standard since within the realm of sacred vocal music, many works were last edited 50 or more years ago, and most of them did not include performance material.

Conductors, singers and instrumentalists were obliged to fall back on material from the 19th century which does not do justice to present-day standards with respect to historically informed performance practice. Many of the alterations in the music text which are based on most recent findings are indeed audible; they have been recorded on CD by the leading Bach interpreters of our era, for example, Frieder Bernius, Hans-Christoph Rademann and Masaaki Suzuki.

Continue reading ‘New Complete 23-Volume Bach Vocal Edition from Carus Verlag’


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