Posts Tagged 'Urtext'

The Excitement of Editing Debussy’s Works: Interview with Bärenreiter Editor Douglas Woodfull-Harris

Douglas Woodfull-Harris has been working at Bärenreiter as an editor for orchestral and chamber music for more than 25 years and has overseen the production of countless editions. In 2018 we will commemorate Claude Debussy’s death 100 years ago. Among the editions which Woodfull-Harris has personally edited are Debussy’s La Mer, Afternoon of a Faun, his Cello Sonata and String Quartet, Images for piano, Syrinx for Flute, and most recently the Rhapsodie Première for Orchestra with Solo Clarinet (coming in December 2017).

Claude Debussy, c. 1908

Douglas Woodfull-Harris

Why Debussy? What made you turn to his works?

Douglas Woodfull-Harris (DWH): From conversations with musicians I knew that the existing editions had problems such as discrepancies between score and parts of orchestral works. Orchestras had their correction lists and made do with what they had but scholarly-critical editions were badly needed. Also, I simply enjoy the music.

The first work by Debussy which you edited was his cello sonata. How did you proceed?

DWH: Of course, I gathered together all relevant sources as I always do. During this process I investigated a private collection in Winterthur (Switzerland) which nobody appears to have looked into, and there I found sketches to the Cello Sonata.

Now, the final note in measure 18 of the 2nd movement is the lowest note on the cello, a C. In the autograph score, the first edition, and all other published editions a “circle” or “zero” appears above the note (*see example below). This circle today is understood to indicate that the note should be played as an open string. I asked myself why an experienced composer like Debussy would mark a note in such a way that can only be played as the open C string. It simply didn’t make sense to me. The marking seemed redundant. But is it possible Debussy meant something else? Continue reading ‘The Excitement of Editing Debussy’s Works: Interview with Bärenreiter Editor Douglas Woodfull-Harris’

Celebrating 150 Years of Edition Peters Green

Originally posted on www.editionpeters.com.

Hidden behind the iconic green covers of Edition Peters lies a story that is fascinating, complex, at times heartbreakingly tragic, but overwhelmingly inspirational. This year Edition Peters proudly celebrates 150 years of the green cover series and here is a short version of our story.

Continue reading ‘Celebrating 150 Years of Edition Peters Green’

Frédéric Chopin and the Chopin National Edition

Who is Frédéric Chopin?

Frédéric Chopin (1810-1849) was a Polish French composer and pianist of the Romantic period, who was best known for his solo pieces for piano and his piano concerti. Although he wrote little else but piano works, he ranks as one of music’s greatest tone poets. It was clear that his love for music developed from a very young age. Young Chopin studied piano with Wojciech Zywny and gave his first concert when he was 8, and rather quickly outdistanced his teachers. By the age of 16, he had composed several piano pieces in different styles, and his parents enrolled him in the Warsaw Conservatory of Music.  Chopin only gave 30 public performances in 30 years of concertizing. While seriously ill with tuberculosis, he managed to complete the 24 Preludes, Op.28. He has composed 20 nocturnes, 25 preludes, 17 waltzes, 15 polonaises, 58 mazurkas and 27 etudes.

What is the Chopin National Edition?

Continue reading ‘Frédéric Chopin and the Chopin National Edition’

“At the Piano” – lends colour to the Henle catalogue!

At the Piano” is a new series perfect for piano students and those returning to the piano from renowned Urtext sheet music publisher, G. Henle. Each volume in “At the Piano” features original pieces by one composer, including Bach, Mozart, Beethoven, Chopin, Debussy and many more! The works in each volume are organized in progressive order of difficulty and contain fingerings and practical tips on technique and interpretation. Click the link below for more information on this exciting new series!

Source: “At the Piano” – lends colour to the Henle catalogue!

Shop At the Piano on Sheet Music Plus

 

Publisher Spotlight: Bärenreiter

baer_240pixelBärenreiter is a renowned German publisher. Founded in 1923, during an era in which there was a burgeoning interest in early music, Bärenreiter quickly developed its reputation for using musicological research to inform editorial decisions. Their editions are preferred by many musicians worldwide. So what is it about Bärenreiter publications that makes them so popular? Our interview with Bärenreiter staff, below, will answer that question and more! Continue reading ‘Publisher Spotlight: Bärenreiter’

What is an Urtext Edition?

by Kevin Harper

We’ve all seen the term “Urtext Edition” when shopping for sheet music. But what does that mean? How is it different from other sheet music? Let’s begin with the definition of “Urtext”.

Germans famously love to combine separate words into one long word. In this case, we have the German words Ur and Text. The oldest city in the world was the city of Ur in modern-day Iraq. This word became part of the German language, meaning original, ancient, or great. For example, Great-grandfather in German is Urgrossvater. In the case of the popular German beer Pilsner Urquell, Urquell means “old source” or “old recipe.” (Quell means source.) Germans use Ur to describe something that is not only very old, but also respected and distinguished.

The meaning of Text in German is easy to figure out. It is a cognate of our English word, which means they have the same definition.

So we’ve established what the word Urtext means, but what in the world does it have to do with music? Publishers use the term to refer to old editions of music, particularly those that have the music written in the hand of the composer, or with annotations and guidelines in the composer’s own words. Continue reading ‘What is an Urtext Edition?’


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