Posts Tagged 'teaching resources'

Tchaikovsky Body Tag: A (Remote) Music Class Activity for Children

This spring, Mark Burrows (a.k.a. “Mister Mark”) put together a few distance-learning resources called Classics Come Alive to support music instruction while many school buildings were closed. This is one of our favorites!

We know how hard you’re working to stay connected with your students. And we have all discovered some of the benefits and limitations of technology and “virtual classrooms.” Heritage Music Press wanted to help. Classics Come Alive features some of the great stories from classical music. But they’re not “sit still ‘n’ listen” stories. Each short story invites students to be not just attentive listeners, but active participants. Even better, there are no materials needed, no props, no set-up, no prep-time. All that’s needed is you and your students!

Today’s story is Tchaikovsky Body Tag.

Heritage Music Press has provided the script and a video of Mark sharing the story. Use it as a model to make your own video, or if that seems like too much right now, let Mister Mark bring the story to life with your kiddos.

This is a body tag story. Listen carefully as I tell you about the fascinating life of the great Russian composer — Pyotr Ilyich Tchaikovsky. Each time you hear a part of the body, tag that part. For example, if you hear elbow… [cue students to tag their own elbow].

Great. Here we go.

Pyotr Ilyich Tchaikovsky was born in 1840 in a small town in Russia. He showed big brains early on. He began learning piano at age five. His little fingers were right at home on the piano keys. And by age six he was already fluent in French and German.

Pyotr Ilyich Tchaikovsky

But his parents didn’t want him to be a professional musician. Tchaikovsky was heartbroken when they sent him away to a boys’ school to train to become a civil servant.

Tchaikovsky missed home very much, but he kept his hands busy by composing and practicing piano. Once he graduated, he spent a few years as a civil servant before finally getting to attend a music conservatory in St. Petersburg. While there, he got wonderful ear-training in harmony, as well as composition.

After graduating, Tchaikovsky became a music professor at the Moscow Conservatory. While he wasn’t paid a huge sum of money, it was enough to take at least some of the financial burden off his shoulders.

Tchaikovsky’s reputation as a composer started to grow with the premiere of his First Piano Concerto. He also began composing operas. And one of his most enduring works is his 1812 Overture that has a hair-raising finale, complete with actual canon blasts.

Tchaikovsky was not fond of socializing. Imagine how much your knees would shake if you were famous, but nervous about being around so many people. And Tchaikovsky was also nervous when he conducted. He would only conduct with one hand because he used the other to hold onto his head. He was afraid his head would fall off as he conducted!

Eventually he became slightly more comfortable. He was in such demand. And his music for the ballets Sleeping Beauty, Swan Lake, and The Nutcracker has been keeping dancers (and audiences) on their toes for years.

Tchaikovsky kept at it till the very end. He conducted the premiere of his Symphony No. 6 only nine days before he died. His beautiful melodies and lush music warm hearts of listeners to this day.

Guide to Remote Music Education

A black man sits in the living room of his apartment and plays a synthesizer. He composes music.

So much of what makes music fun for us is sharing it with others: playing in ensembles, performing concerts, worshipping with our congregations, and teaching our craft. Unfortunately, many of us have found the usual ways we gather together to share music abruptly curtailed recently. With the help of technology, though, teachers and students alike can access a plethora of opportunities for distance learning through online lessons and rehearsals, practice aids, self-instruction and advancement, and sheer repertoire exploration.

Here’s our guide to navigating distance music learning and instruction. Let us know if you have any tips or pointers, and we’ll be happy to share them with our community! Continue reading ‘Guide to Remote Music Education’

Bright Star: Gareth Malone Gets the Whole School Singing!

In a January 2019 survey, BPI (British Phonographic Industry) found that British state schools had seen a 21% decrease in music provision over the previous five years, with this decrease disproportionately affecting schools serving less affluent communities.

HL00295016 Bright Star G Malone Cvr.inddTo address this situation, TV star and conductor Gareth Malone of BBC Two’s The Choir has joined forces with teacher Catherine de Sybel to create an exciting new music resource for schools, Bright Star: Inclusive Songs for Whole-Group Singing. Catchy, heartfelt, accessible and fun, the book includes a song co-written with Gary Barlow and Eliot Kennedy. Equally suitable for small groups, school choirs or the entire school, these engaging songs cover a wide range of themes including life choices, friendship and community, the environment, bereavement and growing up.

The songs are written to get the whole school singing confidently and are appropriate for all ages, with a particular focus on children aged 8–14, bridging the gap between Key Stages 2 and 3, when children are more likely to give up singing.

 

“We believe that singing has enormous benefits to children’s mental and physical well-being and that it should be an integral part of every child’s school day. The simple act of breathing and singing together can be so valuable in fostering a sense of community and shared values. We hope that the subject matter will resonate with pupils and their teachers and we have included some pointers for discussion in the introduction to each song. We want pupils of all faiths and none to experience the joy of singing and most importantly for every school to be a singing school!”

— Gareth & Catherine

 

Designed to be user-friendly for music teachers and particularly non-specialist teachers, the Bright Star pack includes full scores, demo and backing tracks to download, and photocopiable melody and lyric sheets. Introductory notes on the songs provide support in learning and performing, as well as discussion points for use in the classroom.

About Gareth Malone

GarethMalone3

Gareth Malone

Gareth Malone OBE, is well-known around the world as a broadcaster, composer and choral animateur. He has won two BAFTAs for his BBC Two series The Choir, and has been making programs for the BBC for over 14 years. Other achievements include working as an artistic director for a Royal Opera House community opera, and working with orchestra and opera education departments, including the LSO, Philharmonia, Glyndebourne and ENO Baylis.

Gareth has had two number-one singles in the UK, the first in 2011 with the Military Wives Choir, followed by the Gareth Malone All Star Choir for Children in Need three years later. He has also had two number one albums: In My Dreams with the Military Wives, and his latest, Music for Healing, which is currently at the top of the specialist classical charts. His 2014 series The Big Performance 3 won the Royal Television Society award for best children’s television, and Gareth Goes to Glyndebourne won an International Emmy in 2011. In 2012 he was honored with an OBE by Her Majesty the Queen for services to music.

Gareth continues to compose with young people and to work with emerging artists. He has recorded with some of the leading performers in the UK and has just released his third album, Music for Healing.

About Catherine de Sybel

CatherineDeSybel2

Catherine de Sybel

Catherine de Sybel is a composer, pianist and music educator. She read music at the University of Cambridge and continued with postgraduate studies in composition at the École Normale de Musique in Paris, where she won the prestigious Premier Prix for her work for mezzo-soprano and piano, Imagination.

Her teaching career, spanning over twenty years, has encompassed work in mainstream, private and specialist schools, always driving inclusive music education to the forefront of the curriculum. As Head of Music at Elizabeth Garrett Anderson School, she facilitated outreach projects with the London Symphony Orchestra, London Sinfonietta and Orchestra of the Age of Enlightenment, as well as high profile performances for Her Majesty the Queen and Michelle Obama.

In addition to her work inside the classroom, she has led music composition workshops for trainee teachers at the University of Cambridge, mentored beginner teachers from the Institute of Education and worked as Schools Projects Manager at the London Symphony Orchestra.

Catherine believes passionately in the power of music to inspire and educate and has dedicated her career to enabling the finest musical opportunities for children from all backgrounds whilst encouraging young voices to be heard from every corner of her school.

Musical Characteristics and Performance Practice of the Classical Period

By Jacy Burroughs

The Classical period of music had its advent in Italian music of the early eighteenth century and extended into the early nineteenth century. Some musicologists mark the end of the Classical period around 1815, at the end of Beethoven’s compositional middle period. However, the Classical period truly overlaps with both the Baroque and Romantic periods. Characteristics of and performance considerations for Classical period music are outlined below.

Continue reading ‘Musical Characteristics and Performance Practice of the Classical Period’

A Brief Guide to Baroque Performance Practice

By Jacy Burroughs

The Baroque period is defined as the advent of opera to the death of Bach, which was roughly 1600-1750. Each period of classical music is characterized by its own styles, techniques, and musical characteristics. While most people do not have the option to play on historically accurate instruments, it is still important to work toward historically informed performance by studying the musical style of that time. Several important characteristics of Baroque music are outlined below.

Continue reading ‘A Brief Guide to Baroque Performance Practice’

10 Outstanding Resources for Jazz Musicians

By Zachariah Friesen

Teachers, students, professionals and dreamers, welcome to the jazz reference mecca. This is comprised of some of the great literary resources, DVDs and method books for the aspiring jazz musician. Learn the keys of success from people who have success in the profession. With these must-have resources, you’ll be jamming, gigging and living the jazz life in no time.

1. How To Listen To Jazz by Jerry Coker – To play jazz you must learn how to hear jazz. The great Jerry Coker beautifully explains how to train your ear and what to listen for in jazz music.

How To Listen To Jazz by Jerry Coker

How To Listen To Jazz by Jerry Coker

Continue reading ’10 Outstanding Resources for Jazz Musicians’

10 Must-Read Books to Help You Succeed in the Music Industry

By Zachariah Friesen

Whether you or one of your kids is embarking on a journey into the world of music, there is help to guide you along the way. These great resources will give you tips on how the music industry works, how you fit into it and how to survive. Intrigue, information and experience – the learning starts now!

1. The Music Lesson (A Spiritual Search for Growth Through Music) By Victor Wooten

The Music Lesson

The Music Lesson

“…Every movement, phrase, and chord has its own meaning. All you have to do is find the song inside.”

Continue reading ’10 Must-Read Books to Help You Succeed in the Music Industry’

Tips on Finding the Right College

By Zachariah Friesen

785graduation_cap

The time is drawing near for students to start applying for fall admission to college. If you’re applying right now,  this article is just for you! While it may seem like a daunting task at first,  there are several things that you can do to make the process easier and find the school that is right school for you. Here are some things I found useful when making my decisions:

Research:

– The Internet

The Romantic Period

By Catherine Hua 

Romantic Era

 

The Romantic period, which took place from 1820 to 1900, was part of the Romantic movement that occured as a reaction to the reason and rationality celebrated during the Enlightenment. The movement induced changes in the art, literature, music, and even politics of the era—feelings, freedom, and emotions were embraced over structure and rules. Poets, artists and musicians celebrated the awe of nature, the terror and strangeness of the supernatural, and the exotic qualities and limitlessness of the world around them.

Because the Continue reading ‘The Romantic Period’

Introduction to the Classical Period

By Catherine Hua

Canaletto

Have you ever read a composer’s name on a music program and realized that you had no clue how to pronounce it, much less know what to expect for his or her music? (Mr. Dvořák, I’m talking about you.) While the pronunciation is simple to learn (it’s DVOR-zhahk by the way), it’s even easier to get a sense of a composer’s style, once you remember the period that he or she is from. If you need a refresher on the Baroque period, you can read more in our previous article here.

Introduction to the Classical Period

The end of the Baroque period took place as a Continue reading ‘Introduction to the Classical Period’


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