https://youtu.be/ULncG3sZ0XI The Sphinx Organization is the social justice organization dedicated to transforming lives through the power of diversity in the arts. Sphinx’s four program areas – Education & Access, Artist Development, Performing Artists, and Arts Leadership – form a pipeline that develops and supports diversity and inclusion in classical music at every level: Music educationArtists... Continue Reading →
The Inspiration behind ABRSM’s Bowed Strings (2020-2023) Syllabus
Guest post by ABRSM (Associated Board of the Royal Schools of Music) After months of practice and anticipation, performing in a music exam can feel like an adrenaline-fuelled sprint to the finish line that passes in a blur of pieces, scales and musical tests. As an exam board, we know that exams can be stressful,... Continue Reading →
From Sketch to First Edition: The (Almost) Seamless Source Documentation of Edward Elgar’s Violin Sonata – from G. Henle Verlag
Guest post by Dr. Norbert Müllemann, Editor-in-Chief of G. Henle Verlag Many Urtext editions and their sources cross the desk of an editor at the G. Henle publishing house - but we are seldom dealing with such a comprehensive source documentation as is the case with Elgar's violin sonata. Nearly ever step of the work's... Continue Reading →
10 Things You Should Know About the Guzheng
If you’re wondering what this harp-table looking instrument is, you’re in the right place. The Guzheng, also known as the Chinese zither, is a wood plucking instrument that can have 21 or more strings. 1. Guzheng players wear fake nails. No, not the ones you can get from the nail salon. These fake nails... Continue Reading →
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