Posts Tagged 'sheet music'

The Excitement of Editing Debussy’s Works: Interview with Bärenreiter Editor Douglas Woodfull-Harris

Douglas Woodfull-Harris has been working at Bärenreiter as an editor for orchestral and chamber music for more than 25 years and has overseen the production of countless editions. In 2018 we will commemorate Claude Debussy’s death 100 years ago. Among the editions which Woodfull-Harris has personally edited are Debussy’s La Mer, Afternoon of a Faun, his Cello Sonata and String Quartet, Images for piano, Syrinx for Flute, and most recently the Rhapsodie Première for Orchestra with Solo Clarinet (coming in December 2017).

Claude Debussy, c. 1908

Douglas Woodfull-Harris

Why Debussy? What made you turn to his works?

Douglas Woodfull-Harris (DWH): From conversations with musicians I knew that the existing editions had problems such as discrepancies between score and parts of orchestral works. Orchestras had their correction lists and made do with what they had but scholarly-critical editions were badly needed. Also, I simply enjoy the music.

The first work by Debussy which you edited was his cello sonata. How did you proceed?

DWH: Of course, I gathered together all relevant sources as I always do. During this process I investigated a private collection in Winterthur (Switzerland) which nobody appears to have looked into, and there I found sketches to the Cello Sonata.

Now, the final note in measure 18 of the 2nd movement is the lowest note on the cello, a C. In the autograph score, the first edition, and all other published editions a “circle” or “zero” appears above the note (*see example below). This circle today is understood to indicate that the note should be played as an open string. I asked myself why an experienced composer like Debussy would mark a note in such a way that can only be played as the open C string. It simply didn’t make sense to me. The marking seemed redundant. But is it possible Debussy meant something else? Continue reading ‘The Excitement of Editing Debussy’s Works: Interview with Bärenreiter Editor Douglas Woodfull-Harris’

Celebrating 150 Years of Edition Peters Green

Originally posted on www.editionpeters.com.

Hidden behind the iconic green covers of Edition Peters lies a story that is fascinating, complex, at times heartbreakingly tragic, but overwhelmingly inspirational. This year Edition Peters proudly celebrates 150 years of the green cover series and here is a short version of our story.

Continue reading ‘Celebrating 150 Years of Edition Peters Green’

The Magic of Music: 8 Musical Phenomena Explained

Beethoven said, “Music is a higher revelation than all wisdom and philosophy.” He was right! Music awakens the senses and makes thoughts and feelings come alive. It unites cultures, countries, and individuals. Music is timeless and borderless. There is a mystery associated with it, though.

Even the great composers of old did not understand why songs get stuck in our head. Most people today do not know why we get chills when listening to music; and more importantly, why on earth do we love listening to sad songs? Scientists have come up with a few theories as to why these phenomena happen. The infographic from TakeLessons below discusses the answers to these questions and more.

 

 

 

 

New Piano Method Books from Stephen Chatman: Mix & Match

Originally posted on In Tune: ECS Publishing Group Blog and News.

Galaxy Music recently welcomed the new Mix and Match performance method series from dynamic duo, Stephen Chatman and Tara Wohlberg. The series is designed as a rare, innovative mix-and-match complement to any standard piano method book. We sat down with composer Stephen Chatman to learn more about the vision behind Mix and Match.

Continue reading ‘New Piano Method Books from Stephen Chatman: Mix & Match’

Method Spotlight: Piano Junior

Request your free copy today!

From Hans-Günter Heumann and Schott Music comes a new piano method, Piano Junior. In this creative and interactive piano course, children will join PJ the robot and Mozart the dog in discovering how much fun playing the piano can be! The online resources, including audio and video recordings and interactive extras, bring the method to life for today’s tech savvy kids. Discover more about this method’s approach in our interview with the author, below, and request your free copy today!* Continue reading ‘Method Spotlight: Piano Junior’

Series Spotlight: Jazz Piano Solos

The Jazz Piano Solos Series has proven wildly popular among pianists. Each volume features a collection of 20-24 exciting new piano solo arrangements with chord symbols of the songs, which helped define a particular jazz style. The difficulty of the arrangements varies somewhat, and though they can be quite challenging at times, they are always eminently playable. Pianists possessing an intermediate ability or better will find the majority of the selections well within their reach. For the more challenging arrangements a little extra practice may be needed, but it’s time well spent. The series, which is published by Hal Leonard, currently has 47 volumes, including jazzy arrangements of Disney tunes, pop standards and Gospel music, with more in production!

We asked Jeff Schroedl, Hal Leonard’s Executive Vice President, about the inspiration behind the series: Continue reading ‘Series Spotlight: Jazz Piano Solos’

Publisher Spotlight: G. Schirmer

If you’re a classically trained musician, you know the G. Schirmer publications.  Even if that name doesn’t immediately ring a bell, you would recognize the iconic yellow cover with the green border and type. That’s because they have been used by teachers and students for decades. So what makes the G. Schirmer editions so timeless? Sheet Music Plus interviewed Rick Walters, Vice President of Classical and Vocal Publications at the Hal Leonard Corporation to find out. Continue reading ‘Publisher Spotlight: G. Schirmer’

Method Spotlight: Bastien New Traditions

From the family that wrote the ever popular Bastien Piano Basics method comes a new, all-in-one series designed for today’s students. Sheet Music Plus had the opportunity to interview Lisa Bastien to find out what makes Bastien New Traditions so unique!

1. What was the inspiration behind the Bastien family developing a new method?

We were inspired to develop Bastien New Traditions by our students and their needs in today’s world. My mom (Jane), Lori and I are first and foremost full time passionate piano teachers. It became clear to us that the learning environment has changed and that a different approach to teaching piano was needed to effectively engage today’s students.

2. What makes this method unique from other methods? 

Bastien New Traditions is different in a number of ways that make it a captivating and dynamic way to teach.  It’s an ALL IN ONE Piano Course that takes the solid, time tested 50+ years of Bastien pedagogy and presents it in a fresh, modern way. Here are some of the unique features that teachers, students and parents are enjoying:

  • All In One: From the very beginning, Bastien New Traditions was designed and developed as an All In One method. Each book includes lesson, technic, theory and performance pages that are fully integrated for a streamlined, comprehensive, easy-to-use approach.
  • Teacher’s Choice: We give the teacher two options to start new students: Primer A is entirely pre-reading, while Primer B begins immediately with notation. This gives the teacher the flexibility to choose how to begin depending on the child’s age and ability.
  • IPS Technology: IPS (Interactive Practice Studio) is a free practice app that students love and can’t wait to use! It can be downloaded onto any device with the purchase of a book. It acts as a practice partner or musical metronome, provides beautiful accompaniments for the pieces, allows the students to record themselves, provides answers to the theory exercises and so much more!
  • Captivating music and accompaniments: Bastien New Traditions features outstanding solo pieces and duet accompaniments, an excellent variety of different musical styles and an abundance of familiar melodies to inspire students.
  • Integrated Pages: The integrated pages capture multiple musical elements all in one place.  For instance, when each note is introduced, the student writes the note on the staff, recognizes the note and then plays and hears the note — all on the same page. The multi-sensory aspect of Bastien New Traditions is extremely effective in helping students to learn, make connections and commit concepts to memory.
  • Short Theory Exercises: We have included short theory exercises on many of the pages that can be completed during the lesson. Theory is an important part of every lesson and the student sees how it relates to the music.
  • Inviting Pages: The pages are beautifully organized and clutter-free, with stunning watercolor illustrations.

3. What age range is this method designed for? 

The flexibility in the method means it can work for all students ages 5 and up. If I get a younger student, I always start with Primer A because it is an entire book of pre-reading. If I get an older student who seems ready to begin right away on the staff, I begin with Primer B.

4. Was this method tested on beginners before publication?

Yes! We have successfully taught and tested Bastien New Traditions over the past few years, and we are now thrilled to share this new method with you!

Shop the whole Bastien New Traditions series at Sheet Music Plus.

Publisher Spotlight: Schott Music

Founded by Bernhard Schott in Mainz in 1770, the Schott Music group today ranks among the leading music and media publishers in the world with branches in major international markets in 10 countries. Among the companies of the Schott group are not only traditional publishing houses, but also two internationally renowned record labels, Wergo and Intuition, distributing contemporary, jazz and world music on CD. Continue reading ‘Publisher Spotlight: Schott Music’

Publisher Spotlight: Boosey & Hawkes

Boosey & Hawkes is the largest specialist classical music publishing company in the world, with offices in New York, London and Berlin. Their impressive catalog contains some of the most popular composers of the nineteenth and twentieth centuries. Learn what else makes Boosey & Hawkes unique from other publishers in our interview below.

Q: When was Boosey & Hawkes founded?

Boosey & Hawkes was formed in 1930 when two long established London companies joined forces rather than continuing to compete. Boosey & Company had been founded in the 1760s when John Boosey opened a music lending library, expanding with pioneering inexpensive editions of the classics and acquiring the rights to works by Rossini, Bellini, Donizetti and Verdi. Its rival, Hawkes & Son, was set up by William Henry Hawkes in 1865, concentrating on band and orchestral music publishing and the manufacture of instruments. The company directors at the time of the merger, Leslie Boosey and Ralph Hawkes, soon established Boosey & Hawkes on the international publishing scene, signing composers including Continue reading ‘Publisher Spotlight: Boosey & Hawkes’


About Take Note:

Thought-provoking articles by musicians for musicians, music lovers or those that want to learn more about it!

Shop at:

Sheet Music Plus

FREE Newsletter:

Get exclusive discounts and coupons
Sign Up Today →

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 369 other followers

Twitter Updates


%d bloggers like this: