StreamSing: A Free Virtual Reading Session with Jubilate Music Group

As our Annual Choral Sale continues, we’d like to highlight a fantastic opportunity to explore new music for Thanksgiving, Advent, and Christmas .

Join host Mark Cabaniss, President & CEO of Jubilate Music Group, as special guest Mary McDonald shares thoughts on her featured pieces plus the upcoming fall/Christmas singing season.

In this approximately hour-long express session, Mark previews new music from Jubilate Music Group for Thanksgiving, Advent & Christmas from Mary McDonald, Lloyd Larson, Mark Hayes, Hal Hopson, and more.

Here are just a few of the titles featured in StreamSing:

Emerging from Our Caves

Guest post by composer Robert Sterling

I’ve often said that if I were to compare myself to an animal it would be a bear. A Grizzly, to be more specific. Grizzlies eat half the year and sleep the remaining half. And they spend a lot of time in a cave. They are okay being alone. That describes the life of the composer/arranger in a lot of ways, actually.

I work in a cave – a very nice cave, mind you. I have high-speed internet, quality studio gear, central heat & air, and a bathroom and kitchen very nearby. But it’s still essentially a cave. And when I’m not working, all too often I am either eating or sleeping. Oh, and I growl a lot, but that’s more about my personality. All in all, I’m okay in my cave.

But for the past eighteen months or so, the whole world has been in a cave, isolated from our fellow bears (I mean human beings) except for Netflix, Prime Video, and Zoom. That is not normal for the vast majority of people. Now, we are slowly emerging to see if the world outside has changed much, and if so, how.

more “Emerging from Our Caves”

Restore Our Song: A Homecoming

Guest post by composers Lee & Susan Dengler introducing Restore Our Song: A Resource for Restarting Your Choir, which includes an opening “kick-off” fellowship and service, devotions on the themes of deliverance and renewal, easy anthem suggestions to get the choir back in shape quickly, service ideas including a hymn sing, recruitment tips, a simple chorus for choir and congregation titled “Restore Our Song,” and more.

Finally, they were on their way!  After years of exile in Babylon, God’s people were returning to Judah.  Though some had decided to remain in Babylon, a contingent, led by the priest and scribe, Ezra, began the journey home.  To them, Babylon was still a land where they simply could not sing the Lord’s song, even when coaxed by their captors.  All they had been able to do was to hang their harps, the instruments that had once accompanied their voices, on the willow trees that stood guard by the river.  The drooping branches of the trees had served as a visual reminder of their own weeping. 

And then, they were home in their beloved native land!  In the second chapter of the book of Ezra, we find the listing of folks who returned to Jerusalem and other Judean towns. There were the priests, the temple servants, the gatekeepers of the temple.  And, there were the singers!

As the foundations of the new temple were laid, the singers began their song, as they praised and gave thanks to the Lord.  For those who listened, there was a mixture of emotions.  While some shouted for joy, others, who had remembered the former temple and all they had endured, wept with a loud voice.  It was hard to distinguish the shouts of joy from the noise of their crying.  Nevertheless, the combined sound of joyous shouts, sorrowful weeping and glorious singing could be heard for miles around.

We have thought about these people many times during the months of the COVID-19 pandemic, especially after we learned that singing in groups had the ability to spread the virus more virulently than almost anything else.  How could we sing the Lord’s song in such a land?  But now, it seems that we too are on our way home.  Almost daily, we learn of positive indicators that tell us that choirs can safely return to in-person, close-up, full-choir singing.  Thanks be to God!  This is the news for which we have been waiting over these past, long months!

more “Restore Our Song: A Homecoming”

Wounded Alleluias

Guest post by Joseph M. Martin, Composer and Director of Sacred Publications for Shawnee Press

The quest to combine ministry with artistry has been a lifelong calling for me.  I have always found my place and purpose in this pursuit.  Composing animates me and breathes into my spirit an inner peace that is deeply sacred.

Reassuring rituals are part of my writing process—simple disciplines made special by repetition, reminding me to be grateful for the labor to which I have been called. With faithful regularity the process unfolds over and over, familiar yet surprising, comfortable yet challenging.

more “Wounded Alleluias”

StreamSing: A Free Virtual Reading Session with Jubilate Music Group

As our annual Sacred Choral Sale continues, we’d like to highlight a fantastic opportunity to explore new music for spring and Easter.

Join host Mark Cabaniss, President & CEO of Jubilate Music Group, and his special guest, composer Lloyd Larson, for StreamSing, a free virtual reading session.

In this approximately hour-long express session, Mark and Lloyd tell stories, look ahead to our future opportunities for ministry and community as church singers, and preview new music perfect for distanced, streaming and virtual choirs from Mary McDonald, Lloyd Larson, Tom Fettke and more.

Here are just a few of the titles featured in StreamSing:

more “StreamSing: A Free Virtual Reading Session with Jubilate Music Group”

Helping Singers Learn at Home! Hope Publishing Choral Selections with Rehearsal Tracks: Fall 2020

A message from Joel Raney, Composer & Choral Editor at Hope Publishing

Joel Raney
Joel Raney

I know that these days many of us are searching for ways to keep our singers engaged without gathering. Here we feature several of our most popular titles that have part-dominant rehearsal tracks available for soprano, alto, tenor, and bass, as well as stereo accompaniment tracks. Whether you’re doing a virtual choir or some sort of limited socially distant singing, these tools are a terrific way to help singers learn new music at home on their own.

Stay strong and safe!

In Christ Alone with Cornerstone

Arr. Joel Raney
SATB Octavo
Instrumental Parts
Performance/Accompaniment CD
Voice-Dominant CD

Listen & follow along with the score

Originally, this appeared in Joel Raney and Lloyd Larson’s best-selling Lenten cantata, Hope in the Shadows. This medley pairs the popular Keith Getty song with the praise chorus “Cornerstone” and “When I Survey the Wondrous Cross.”

more “Helping Singers Learn at Home! Hope Publishing Choral Selections with Rehearsal Tracks: Fall 2020”

Lorenz: Keeping Worship Fresh with New Music

LorenzLogo2020Publishing over 1,000 new works every year, Lorenz offers an extensive catalog of choral, keyboard, and instrumental music to support the ministry of churches large and small. From traditional and liturgical to blended and contemporary, music for many styles of worship can be found across its imprints: Lorenz Publishing Company, Medallion Music, and The Sacred Music Press. Having been at the forefront of new church music for over a century, Lorenz is home to best-selling titles written by the most prominent names in church music today, and is committed to supporting the creative work of future generations of composers and arrangers.

O sing to the Lord a new song; for he has done marvelous things. Make a joyful noise to the Lord, all the Earth. (Psalm 98:1, 4 NRSV)

BryanSharpeLorenzThe Psalms tell us to sing new songs to the Lord. This biblical mandate inspires how we use our gifts. We compose, arrange, edit, and publish new music so that churches and individuals have the resources they need to praise the Lord with instruments and voices. As times change and fads come and go, and as one generation passes to the next, we will always need new music to keep our worship current and relevant.

Bryan Sharpe
Director of Church Choral Publications, Lorenz

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Pepper Choplin: Once upon a Morning – From Resurrection to Pentecost

PepperChoplin
Pepper Choplin

Guest post by composer Pepper Choplin introducing his new cantata, Once upon a Morning: From Resurrection to Pentecost. Choplin is known as one of the most creative writers in church music today. With a diverse musical background, Choplin incorporates varied styles such as folk, Gospel, classical, and jazz. His published works include over 300 anthems for church and school choir with 20 church cantatas and two books of piano arrangements, and over 120 groups have commissioned him to write original works for them. Since 1991, his choral music has sold several million copies. Choplin has conducted eight New York concerts of his music at Carnegie Hall and Lincoln Center with 250 voices and full orchestra. In his hometown of Raleigh, he has conducted eight mass performances of his cantatas at Meymandi Auditorium (home to the NC Symphony) with over two hundred voices and orchestra. In 2019, he conducted Handel’s Messiah (Christmas portion) with the 150-voice Cary Community Choir with orchestra. He also visits many schools, churches and conferences to conduct and to entertain. 

 

OnceUponAMorningI always wanted to write this cantata. Then a church in Pennsylvania commissioned me to write a spring cantata outside of the typical Easter work. For a year, I surveyed directors and singers about different potential subjects. This idea got them most excited.

I loved writing this cantata. These wonderful stories don’t receive much attention in church music. Yet, they contain so much drama and passion.

more “Pepper Choplin: Once upon a Morning – From Resurrection to Pentecost”

Lee & Susan Dengler: A Holy Week Cantata Reflecting on Sacrifice and Sorrow

Guest post by composers Lee & Susan Dengler introducing their new Holy Week cantata, When Darkness Comes. Lee and Susan are the authors of over 400 choral anthems, cantatas and vocal and piano solo collections that are used worldwide. They have served as music leaders in churches, and have taught music on the elementary, high school and college levels. Both are professional singers and have performed in recitals, operas, oratorios and musicals. They reside in Goshen, Indiana.

LeeDenglerSusanDengler

Lee Dengler & Susan Naus Dengler

Easter was in mid-April that year. We who work in church music are relieved when Easter comes that late in the season, allowing adequate time to prepare for the music of Lent and Easter.

However, there was a lot going on in our house back then. We were awaiting the birth of our second child. The due date was April 1. Because of church responsibilities, we hoped that this baby would arrive on time. Rebecca Joy only made us wait two extra days before she appeared on the scene. Even though Palm Sunday was only two days later, we could fulfill our Holy Week responsibilities without too much stress.

There were, however, a few things that we hadn’t counted on. more “Lee & Susan Dengler: A Holy Week Cantata Reflecting on Sacrifice and Sorrow”

Songs of Freedom

In this guest post by Dr. Stan Engebretson and Prof. Volker Hempfling, editors of Carus-Verlag‘s new collection, Hallelujah: Gospels and Spirituals for Mixed Choir, we explore the difference between gospel and spirituals in their development and in musical form.

HallelujahCollectionCarusPowerful voices full of emotion and moving intensity — that’s what comes to mind when we think of gospel music. And “Amazing Grace” is certainly one of the first songs we think of. It’s a song that spread beyond Christian churches to become famous as a protest song against slavery and as a hymn sung by human rights activists. “I once was lost, but now am found.” With the Christian idea of redemption, the song expresses a confident belief in liberation, the central theme of gospel music. But paradoxically, this song, which many people regard as the quintessence of American gospel music, was actually written by the former captain of a slave ship, John Newton. When he escaped from a storm at sea in 1748, he saw his salvation as divine providence and fundamentally transformed his life in the following years, after a while giving up his trade completely, becoming a clergyman, and even campaigning against slavery. His song, “Amazing Grace,” became extremely successful and was later adopted by the African-American spiritual and gospel community, performed by such artists as Mahalia Jackson, Aretha Franklin and the Harlem Gospel Choir.

But what makes a song a gospel song, and how does it differ from a spiritual? more “Songs of Freedom”