Posts Tagged 'music student'



Learning to Play Guitar

By Ryan Jobes

Learning to play guitar can be quite the undertaking, but luckily here at Sheet Music Plus we have some books that can get you pointed in the right direction. Though many guitar players start by attempting self-taught method, beginners can get much faster and quality results by relying on the experience of others. Whether you want to play, rock, classical, or jazz there are a few essential things your going to need to get started.

First of all you are going to need a guitar:

366px-GuitareClassique5

Make sure that you choose a guitar that is appropriate for the style of music that you want to learn to play. Hendrix is not going to have the same punch on a nylon string classical guitar, as it will on an electric. Spend some time doing some research before making a purchase.

Make sure that Continue reading ‘Learning to Play Guitar’

10 Interesting Facts About the Violin

By Brendan Lai-Tong

Sheet Music Plus Violin

Here are some interesting facts about the violin that you may not have known:

  1. The modern violin has been around for roughly 500 years. It was said to have been designed in the 1500’s by Andrea Amati.
  2. Playing the violin burns approximately 170 calories per hour. Forget about your workout and start practicing harder!
  3. Violins are typically comprised Continue reading ’10 Interesting Facts About the Violin’

Sing Better as You Age

By Judy Pringle

Sing Better As You Age

Sing Better As You Age

A music retailer is asked every day for assistance with repertoire.  It can be both challenging and amusing.  For example:  I need a thrilling SATB anthem for Easter Sunday with brass accompaniment, and the sopranos can’t sing above an ‘e.’ Can you make a suggestion? 

We smile at this request, but it can be a reality for a choral director.  Those of us who conduct adult church and community choirs deal with the aging voice constantly.  It is a fact that with age, our singing mechanism does not improve.  Yet, it is my experience that senior singers are some of the most devoted choristers, and the joy of singing is integral to their lives.

If we, as directors, Continue reading ‘Sing Better as You Age’

Improve Your Ear!

By Carolyn Walter

You may find it strange to see a sheet music-related blog advocating playing music by ear. However, many experienced musicians – including those in our office – would agree that musical proficiency isn’t some stark dichotomy, with “good readers” in one camp entirely separate from people who “just play by ear.” To become a complete, balanced musician, and fully enjoy all that the art form has to offer, a performer must possess sound aural skills right along with a high level of musical literacy.

Start Simple:

Like a lot of things, playing by ear comes most naturally when a young musician is introduced to the concept from the very beginning.  For those lucky enough to be starting off on their musical journey, many beginning method books now feature added emphasis on playing by ear and improvising. The ever-popular Alfred’s Basic Piano Library series includes a corresponding set of books focusing solely on ear training:

Alfred's Basic Piano Library - Ear Training Book

Alfred’s Basic Piano Library – Ear Training Book

As for those of us who have been playing for many years without Continue reading ‘Improve Your Ear!’

10 Facts about the Oboe

By Zachariah Friesen

Oboe

Oboe

Fact 1: What’s an oboeOboe is a double reed instrument. A double reed consists of two flattened blades of bamboo that produce sound through the vibrations of one blade against the other.

Fact 2: A reed? A double reed!? Yes, actually serious oboe Continue reading ’10 Facts about the Oboe’

Artist Interview – Hans-Gunter Heumann (The Classical Piano Method)

 Hans-Gunter Heumann

Hans-Gunter Heumann

By Brendan Lai-Tong

If you’re a music teacher, it’s likely that you are on the lookout for the something new to help teach your students more effectively. Whether this is new repertoire, etudes, or method books, it’s always nice to branch out to see what else is out there. You’ll never know when  something new will work really well for a particular student!

While we were at the Music Teachers National Association Convention in Anaheim, California we had the pleasure of meeting Hans-Günter Heumann. Many of you may know of his contributions to the piano repertoire. His original compositions, arrangements and educational methods for piano are enjoyed by pianists around the world, especially in Germany.

Hans-Günter studied at the Continue reading ‘Artist Interview – Hans-Gunter Heumann (The Classical Piano Method)’

The Origin of the “New Symphony”

Hans Rott

Hans Rott

By Zachariah Friesen

Hans Rott was a prodigy. His new approach to the symphony was admired throughout Austria and was the subject of great discussion in musical circles in 1880. He was a Wagnerian composer, now considered the long lost link between fellow Austrian composers Anton Bruckner and Gustav Mahler. Likened to those Great Masters, Rott’s innovation and development of his themes as well as the orchestration and the propensity for heavy brass writing characterized his music. Themes of his Symphony No. 1 in E minor are nearly identical to that of Mahler’s “Titan” Symphony No. 1 that radically changed the concept of a symphony forever. It is believed Continue reading ‘The Origin of the “New Symphony”’

Tips for Teaching Rhythmic Fundamentals to Music Students

By Carolyn Walter

I can scarcely think of anything more fundamental to musicianship than rhythm. With few exceptions, I find that a solid rhythmic foundation is truly the root of a good performance.  A piece played with otherwise flawless accuracy sounds sloppy or even falls completely apart without proper rhythmic control; never mind if the notes were pitch perfect, the dynamics were  masterful and the ornamentation was authentic. I feel this is true regardless of ensemble size, style or instrumentation.  A choir/orchestra with 100+ members needs to hold together with precision, as does a small ensemble with just a handful.  Even an unaccompanied soloist playing in a very free, rubato style must have a strong sense of pulse to deliver her musical message most effectively.

Like so many things in music, the basics of solid time and rhythmic notation and accurate interpretation can be explained in a few hours . . and perfected over the course of one’s entire life.   While the elementary process of counting correctly can be summarized in just a couple of pages in a basic theory or method book like the following:

Alfred's Essentials of Music Theory Standard of Excellence Edly's Music Theory for Practical People

I find that Continue reading ‘Tips for Teaching Rhythmic Fundamentals to Music Students’

10 Facts about Mahler

By Zachariah Friesen

Mahler

As a young aspiring trombone player, exploring the world of Gustav Mahler, I listened to his 5th Symphony at least 20 times before I understood any of it. One night, after returning from an audition in Los Angeles, I listened to his 5th Symphony on repeat all the way back to San Francisco. At about 2am, and the 3rd repeat of the symphony I was finally able to wrap my head around it. The next hour listening to that symphony was truly one of the most enjoyable moments of my life. Here are some things that I’ve learned about Mahler that you may not have known: Continue reading ’10 Facts about Mahler’

Artist Interview – Donn Bradley (Audition Tips for Singers)

By Brendan Lai-Tong

Donn Bradley

Donn Bradley

As many of you already know, the audition process for obtaining singing roles in opera, musicals and other shows can be quite challenging. Just like singing, auditioning is a skill, and it can take a few tries to get a grasp of how the process works.

Today we will be sharing singing and audition advice from Lyric Baritone and Character Tenor – Donn Bradley. Donn is a native of Santa Cruz, CA, and current resident of wherever the work is, USA. Donn is a versatile singer, with solid technique in Opera, Musical Theater, and several popular styles.

He has performed five major roles with Townsend Opera, and narrated five major works for the Modesto Symphony Orchestra including Façade by William Walton, and performed as Bass soloist for Beethoven’s 9th Symphony with VITA Academy in Sacramento (2008).

Previous major Opera/Operetta roles include: Ko-Ko in The Mikado (2012), Major General Stanley in Pirates of Penzance (2011), Njegus in The Merry Widow (2010), Monostatos in The Magic Flute (2009), Sir Joseph Porter in HMS Pinafore (2009), Dr. Falke in Die Fledermaus (2001), Papageno in The Magic Flute (1998), The Pirate King in Pirates of Penzance (1998), and Louis in The Wandering Scholar (1997).

Hi Donn, thanks for taking the time to interview with us.

What inspired you to start a career in music?

I have been able to sing my whole life, though my Continue reading ‘Artist Interview – Donn Bradley (Audition Tips for Singers)’


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