Wolfgang Amadeus Mozart’s Mass in C minor (K. 427) stands alongside the Requiem (K. 626) as his most remarkable church composition. Today it enjoys almost cult status, first because of its monumentality, which is unique in Mozart’s sacred vocal music, and second because, like the Requiem, it partakes of the aura of the unfinished and... Continue Reading →
Publisher Spotlight: Bärenreiter
Bärenreiter is a renowned German publisher. Founded in 1923, during an era in which there was a burgeoning interest in early music, Bärenreiter quickly developed its reputation for using musicological research to inform editorial decisions. Their editions are preferred by many musicians worldwide. So what is it about Bärenreiter publications that makes them so popular?... Continue Reading →
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