Curated by Kathryn Griesinger-Parrish, Orchestral Editor at Carl Fischer Music
Guests & Soloists
Include a beloved teacher or principal when hosting a recruiting event.

Concerto for Triangle
by Mike Hannickel
This easy piece cleverly features a triangle ‘soloist’…who keeps missing their cue. Until the very end, that is! Guaranteed to elicit giggles from young students.

Guest Soloist
by Richard Meyer
This time, a ‘volunteer’ is given a violin with just 2 strings (or substitute any instrument), and the ‘soloist’ is cued in by taps on the shoulder by the conductor. A great opportunity for audience participation.

One Bow Concerto
by Richard Meyer
See what happens when a violinist, violist, and cellist are soloing with a pizzicato orchestral accompaniment…but there is only one bow for all to share! Bonus points for getting to hear most orchestral instruments solo.
Section features
Put every instrument in the spotlight.

Eclipse
by Caryn Wiegand Neidhold
This grade 2 piece includes optional drumset and the opportunity for every instrument section to play a solo (or section soli) by playing either the notated solo, or improving their own as the rest of the orchestra vamps in the background.

Instant Recruiting Concert
arr. Bob Phillips
This made-for-recruitment medley begins with familiar classical melodies, then offers instrument solo opportunities using fun tunes like The Pink Panther and The Flintstones. To finish, the orchestra combines for a grand finale of themes from movies like Star Wars and Harry Potter. Optional narration is provided to guide the audience through the various instrument sections.

Three Buccaneers
by Kathryn Griesinger
To hear every instrument, this piece gives every section of the orchestra its own theme: Violins, Violas, and Cellos/Basses. Each section can be demonstrated by playing a few measures of “their theme” before performing the entire piece.

Everyone’s Guide to the String Orchestra
by Camille Saint-Saens/arr. Douglas E. Wagner
If your recruitment theme is an instrument “petting zoo” then this arrangement of melodies from “The Carnival of the Animals” is a perfect fit. Cellos are featured in “The Swan,” violas in “Lion’s Royal March,” basses play the “The Elephant,” and violins bring the piece to a joyous conclusion with “Finale.”
Pop & Movie Hits
Get their attention with music they already know and love.

John Williams Trilogy
arr. Calvin Custer
Get several of the most recognizable movie themes in one medley! Tunes include Star Wars Main Title and End Credits, Theme from “Jurassic Park,” and Raiders March. This medium-level arrangement will require a little more rehearsal preparation and the piano and percussion parts add terrific energy, if you have the players.

Pirates of Caribbean (Easy Level)
arr. Paul Lavender
Pirates never go out of style and this easy-to-put-together arrangement captures all the swashbuckling fun of being in orchestra.

Great Themes from TV and Movies
arr. Bob Cerulli
Everyone loves cartoons and this arrangement combines the Batman Theme, Scooby-Doo, Where Are You?, and (Meet) The Flintstones.

Power Rock
arr. Michael Sweeney
For those last-minute performances, rock the house with this super-easy mash-up of Another One Bites the Dust and We Will Rock You.

Sunflower (from “Spider-Man: Into the Spider-Verse”)
arr. Michael Story (Alfred)
This easy to play pop hit will be familiar to all ages.

Viva la Vida
Coldplay, arr. Larry Moore
Lighten the mood with an upbeat and familiar melody that brings all the good vibes.
Last-Minute Favorites
Tried-and-true pieces are fun and easy for most ensembles to perform with minimal rehearsal time, and may likely already be in your library.

Kathryn (Griesinger) Parrish received her B.A. (cello) and M.M. (music education) degrees from the University of Akron, where she later taught string pedagogy courses as adjunct faculty. She taught orchestra in Ohio and Florida private and public schools for 15 years, while freelancing as an arranger and cellist for various ensembles. She also writes commissioned works and sight-reading music for regional music festivals. Kathryn currently works for Carl Fischer Music as an orchestra editor.
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