Wolfgang Amadeus Mozart’s Mass in C minor (K. 427) stands alongside the Requiem (K. 626) as his most remarkable church composition. Today it enjoys almost cult status, first because of its monumentality, which is unique in Mozart’s sacred vocal music, and second because, like the Requiem, it partakes of the aura of the unfinished and... Continue Reading →
UNFINISHED: Tradition and Completion of Mozart’s C Minor Mass
Guest post by Uwe Wolf, Chief Editor of Carus-Verlag What an amazing story! Mozart makes a vow to compose a mass after the successful birth of his first-born child. The performance is planned on the occasion of his first journey with his wife to Salzburg so he can introduce her to his family –... Continue Reading →
You must be logged in to post a comment.