By Brendan Lai-Tong
As many of you already know, the audition process for obtaining singing roles in opera, musicals and other shows can be quite challenging. Just like singing, auditioning is a skill, and it can take a few tries to get a grasp of how the process works.
Today we will be sharing singing and audition advice from Lyric Baritone and Character Tenor – Donn Bradley. Donn is a native of Santa Cruz, CA, and current resident of wherever the work is, USA. Donn is a versatile singer, with solid technique in Opera, Musical Theater, and several popular styles.
He has performed five major roles with Townsend Opera, and narrated five major works for the Modesto Symphony Orchestra including Façade by William Walton, and performed as Bass soloist for Beethoven’s 9th Symphony with VITA Academy in Sacramento (2008).
Previous major Opera/Operetta roles include: Ko-Ko in The Mikado (2012), Major General Stanley in Pirates of Penzance (2011), Njegus in The Merry Widow (2010), Monostatos in The Magic Flute (2009), Sir Joseph Porter in HMS Pinafore (2009), Dr. Falke in Die Fledermaus (2001), Papageno in The Magic Flute (1998), The Pirate King in Pirates of Penzance (1998), and Louis in The Wandering Scholar (1997).
Hi Donn, thanks for taking the time to interview with us.
What inspired you to start a career in music?
I have been able to sing my whole life, though my more “Artist Interview – Donn Bradley (Audition Tips for Singers)”