Posts Tagged 'Contemporary Music'

In Memoriam: George Crumb (1929 – 2022)

George Crumb. Photo credit: Simon Jay Pierce.

Hailed by the Los Angeles Times as “…an all-American composer – one of our best, most original and most important,” George Crumb was a titan of contemporary classical music, who was beloved by musicians and audiences alike for his aurally and visually stunning scores.

A true avant-garde, Crumb expanded our conception of what it means to be a musician, turning items like bowed water glasses into instruments, incorporating new elements such as spoken word, nature sounds, and electronics into his works, and asking instrumentalists to participate in elaborate theatrical presentations of his music, wearing masks, for instance, or performing under prescribed lighting.

Creating works simultaneously dramatic and concise, Crumb gave to music his own musical language, both in sound and on the page. Many of Crumb’s unique notated scores famously were hand-drawn shapes and spirals. For example, his written score for “Agnus Dei” from Makrokosmos II, is in the shape of a peace symbol. In a 2016 interview with the Brunswick Review, Crumb said, “I don’t have any artistic skills outside of musical calligraphy, I just think the music should look the way it sounds.”

George Crumb writing “The Fiddler.” Photo credit: Margaret Leng Tan.

Refreshingly original and hauntingly beautiful, Crumb’s music not only reached the souls of some of the 20th-century’s most important musicians, but also inspired them to do their part to revolutionize music. Black Angels, Crumb’s best-known work, was described by David Bowie as one of his favorite records: “a study in spiritual annihilation.” That piece, said Kronos Quartet’s David Harrington, “opened up a whole new world to me…. I had no choice but to form Kronos.”

Crumb won a Pulitzer Prize and a Grammy Award for his compositions, and his groundbreaking, evocative music has been used again and again in works ranging from ballets to Hollywood films, including The Exorcist. His scores are routinely taught in textbooks and in conservatories around the world, and his influence on contemporary music is immeasurable.

Join us in celebrating the life and work of the legendary George Crumb.

VOCES8 Premieres Six New Commissions during LIVE From London – Christmas Festival

On December 5, 2020, as part of its LIVE From London – Christmas online festival, British choral ensemble VOCES8 premiered six new pieces by composers Jocelyn Hagen, Taylor Scott Davis, Ken Burton, Roderick Williams, Paul Smith and Melissa Dunphy.

The 6 New Commissions

Now Winter Nights

Roderick Williams
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Now Winter Nights” by British composer and baritone Roderick Williams uses an evocative poem by Thomas Campion as its text, helping him to pinpoint the excitement of Christmas he felt as a child and still holds onto.

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Edition Peters: A Commitment to Bold New Sounds

EditionPetersLogo2020One of the most thrilling parts of working with music is discovering new works and budding composers who are changing not only the way we listen to music and perceive sound, but also how we conceive of the broader world around us and our place in it both today and into the future.

Edition Peters has consistently championed contemporary music throughout its storied history, and with its ever-expanding catalog, Peters continues to be one of the staunchest supporters of the artists who shape the future of our musical landscape. Here Kathryn Knight, President of C.F. Peters New York, illuminates the Peters commitment to new music:

Kathryn KnightPeters has been working with contemporary composers since its inception in Leipzig over two centuries ago, publishing new music by young and emerging composers such as Beethoven, Schumann, Mendelssohn and Grieg… Our commitment to bold new sounds has remained steadfast since that time, signing 20th-century iconoclasts such as John Cage and George Crumb. We know that some of today’s mavericks will be the composers of tomorrow’s classics.

– Kathryn Knight, President, C.F. Peters NY

A Short History of Edition Peters

Edition Peters was founded in 1800 in Leipzig, Germany, and quickly established itself as one of the 19th century’s leading German music publishing houses, building relationships with the most outstanding composers of the era. In the 20th century, Max and Walter Hinrichsen — surviving members of the German Jewish family that owned Edition Peters — fled the Nazi takeover of both their homeland and their family business and established new publishing houses in London and New York, respectively, that would carry on the Peters tradition.

Walter Hinrichsen Meeting With Beethoven Portrait

Walter Hinrichsen, founder of Peters NY, holding a staff meeting under the famous Beethoven portrait by Stieler, now housed at the Beethoven-Haus in Bonn

Continue reading ‘Edition Peters: A Commitment to Bold New Sounds’


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