The Official Blog of Sheet Music Plus
Guest post by Linda Hawken, MD of Edition Peters Europe, and Kathryn Knight, President of C.F. Peters, USA Being a music publisher in the 21st century presents many different challenges to those faced by publishers at the beginning of the industry 200 years ago. Nowhere is this better illustrated than at Edition Peters, founded in... Continue Reading →
Ludwig van Beethoven Ludwig van Beethoven’s ten violin sonatas are among the most famous works of chamber music history and represent, together with Mozart’s works for this instrument duo, the core of violin repertoire from the Viennese Classicist period. Though composed in a short span in Beethoven’s creative life (nine of the ten were written... Continue Reading →
Wolfgang Amadeus Mozart’s Mass in C minor (K. 427) stands alongside the Requiem (K. 626) as his most remarkable church composition. Today it enjoys almost cult status, first because of its monumentality, which is unique in Mozart’s sacred vocal music, and second because, like the Requiem, it partakes of the aura of the unfinished and... Continue Reading →
Guest post by Dr. Dominik Rahmer, editor at G. Henle Verlag. The formal technique of “variations” played an important role in Beethoven’s work throughout his entire life. Critic Paul Bekker wrote in 1911, “Beethoven begins with variations,” and indeed this is true not only of the character of his oeuvre, but also of its chronological... Continue Reading →
In 1979 a young American graduate student named Vladimir Morosan won a Fullbright Scholarship togo to the Moscow Conservatory to study choral performance in pre-revolutionary Russia. The Soviet state had banned public performance of sacred music decades before that in 1923, and vicious attacks on and repression of the Russian Orthodox Church combined with strong censorship... Continue Reading →
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