Beethoven’s Violin Sonatas: Setting the New Performance Standard

Ludwig van Beethoven Ludwig van Beethoven’s ten violin sonatas are among the most famous works of chamber music history and represent, together with Mozart’s works for this instrument duo, the core of violin repertoire from the Viennese Classicist period. Though composed in a short span in Beethoven’s creative life (nine of the ten were written... Continue Reading →

A Short Foray into Beethoven’s Variations

Guest post by Dr. Dominik Rahmer, editor at G. Henle Verlag. The formal technique of “variations” played an important role in Beethoven’s work throughout his entire life. Critic Paul Bekker wrote in 1911, “Beethoven begins with variations,” and indeed this is true not only of the character of his oeuvre, but also of its chronological... Continue Reading →

Cantabile Qualities: Choral Music by Beethoven

Guest post by Jan Schumacher Beethoven is not primarily thought of as a vocal composer, but why not? The choral collection compiled by Jan Schumacher, which contains both well-known and unknown choral works by Beethoven and original transcriptions of Beethoven's works by other composers, reveals a great deal of extremely attractive repertoire. The widely-held prejudice... Continue Reading →

Musical Characteristics and Performance Practice of the Classical Period

By Jacy Burroughs The Classical period of music had its advent in Italian music of the early eighteenth century and extended into the early nineteenth century. Some musicologists mark the end of the Classical period around 1815, at the end of Beethoven’s compositional middle period. However, the Classical period truly overlaps with both the Baroque... Continue Reading →

Create a website or blog at WordPress.com

Up ↑