Great Editing: The Difference between Success & Frustration!

Guest post by Ingrid Jacobson Clarfield and Phyllis Alpert Lehrer, editors of Classics for the Developing Pianist and Study Guides for Preparation, Practice & Performance Books 1-5 Classics for the Developing Pianist and Study Guides for Preparation, Practice & Performance Books 1-5 Classics for the Developing Pianist: Core Repertoire for Study and Performance. Book 1... Continue Reading →

Edition Peters: Piano, Pedagogy, Studies and the Influence of Carl Czerny

Guest post by Christian A. Pohl, Professor of Piano and Piano Methodology, Head of Piano Department, University of Music and Theatre ‘Felix Mendelssohn Bartholdy’ Leipzig  The start of the nineteenth century saw a seismic shift in the world of domestic keyboard playing as the piano rapidly displaced the harpsichord and clavichord as the instrument of... Continue Reading →

Edition Peters: Reflecting the Composer’s Intentions and the Value of Urtext

Guest post by Linda Hawken, MD of Edition Peters Europe, and Kathryn Knight, President of C.F. Peters, USA Being a music publisher in the 21st century presents many different challenges to those faced by publishers at the beginning of the industry 200 years ago. Nowhere is this better illustrated than at Edition Peters, founded in... Continue Reading →

Beethoven’s Violin Sonatas: Setting the New Performance Standard

Ludwig van Beethoven Ludwig van Beethoven’s ten violin sonatas are among the most famous works of chamber music history and represent, together with Mozart’s works for this instrument duo, the core of violin repertoire from the Viennese Classicist period. Though composed in a short span in Beethoven’s creative life (nine of the ten were written... Continue Reading →

Revisiting Mozart’s Great Mass in C minor

Wolfgang Amadeus Mozart’s Mass in C minor (K. 427) stands alongside the Requiem (K. 626) as his most remarkable church composition. Today it enjoys almost cult status, first because of its monumentality, which is unique in Mozart’s sacred vocal music, and second because, like the Requiem, it partakes of the aura of the unfinished and... Continue Reading →

Create a website or blog at WordPress.com

Up ↑