Posts Tagged 'church music'

Let’s Begin to Ring Again! Hope Publishing Handbell Choir Selections: Fall 2020

A message from Brenda E. Austin, Handbell Editor at Hope Publishing

Hello friends!

Brenda E. Austin

Have you noticed how grumpy many people are today? I sure have. I believe with all of my heart, that is in part because no one has been to the symphony, seen a broadway show, sang in their church choir or rang in a handbell festival in months and months. Our souls are crying out to be part of a musical experience again.

There are so many challenges facing us today. We need to keep the safety of our communities as our top priority. With that being said, I believe that we also need to consider our spiritual and emotional health as well. Where and when it is possible to do so safely, let’s begin to ring again. It may look different from what we “normally” do. But, what would it look like to ring today? Ringers wearing masks, each ringer at their own table or music stand at a safe distance from one another, no shared equipment. Perhaps ringing outside?? What are the possibilities?

Wishing you well!

Ring with 6: Year-Round

Arr. Martha Lynn Thompson

Martha Lynn Thompson adds another set of six settings to her highly successful series of Ring with 6 collections. Each arrangement uses 14-22 bells and is easily playable by six ringers. Three pieces have optional handchimes. A “Bells Used Chart” for each piece provides suggested assignments. No four-in-hand ringing is required but, because some ringers have more than two bells, it is necessary to have a table or a place to put the additional bells. Three of the hymns are suitable for general occasions, one is appropriate for either Palm Sunday or Advent, and rounding out the collection is Natalie Sleeth’s beautiful “Were You There on That Christmas Night?”

Continue reading ‘Let’s Begin to Ring Again! Hope Publishing Handbell Choir Selections: Fall 2020′

Helping Singers Learn at Home! Hope Publishing Choral Selections with Rehearsal Tracks: Fall 2020

A message from Joel Raney, Composer & Choral Editor at Hope Publishing

Joel Raney
Joel Raney

I know that these days many of us are searching for ways to keep our singers engaged without gathering. Here we feature several of our most popular titles that have part-dominant rehearsal tracks available for soprano, alto, tenor, and bass, as well as stereo accompaniment tracks. Whether you’re doing a virtual choir or some sort of limited socially distant singing, these tools are a terrific way to help singers learn new music at home on their own.

Stay strong and safe!

In Christ Alone with Cornerstone

Arr. Joel Raney
SATB Octavo
Instrumental Parts
Performance/Accompaniment CD
Voice-Dominant CD

Listen & follow along with the score

Originally, this appeared in Joel Raney and Lloyd Larson’s best-selling Lenten cantata, Hope in the Shadows. This medley pairs the popular Keith Getty song with the praise chorus “Cornerstone” and “When I Survey the Wondrous Cross.”

Continue reading ‘Helping Singers Learn at Home! Hope Publishing Choral Selections with Rehearsal Tracks: Fall 2020’

Publisher Focus: Jubilate Music Group

Guest post by Morgan Roberts, Director of Production, Sales & Marketing for Jubilate Music Group

Jubilate Music Group is the culmination of many years of various developments in the lives of several individuals and the music print industry. These developments led to the consolidation of three separate and distinct music publishing catalogs, each with its own individual history: Alfred Sacred, Jubilate Music, and H.W. Gray. The result is Jubilate Music Group, an eclectic stylistic blend of sacred and secular choral, vocal, handbell, and instrumental publications for adults and children.

Alfred Sacred – Jubilate Music – H.W. Gray

As a result of the consolidation and acquisitions described in this blog, Jubilate Music Group also contains the sacred compositions from the historic Belwin-Mills and Gordon V. Thompson catalogs plus the entire Brodt Music Publications and Good Life Publications catalogs. From Handel, Hopson, and Hayes to Puccini, Penderecki, and Purifoy…Jubilate Music Group catalogs contain a combined 150+ years of rich music publishing history. When considered retrospectively, the changes and developments that came together to ultimately create Jubilate Music Group make its birth true to the meaning of its name:

“A song of joy and triumph”

Continue reading ‘Publisher Focus: Jubilate Music Group’

Prelude, Postlude and All That’s In Between: A Guide for the Church Pianist

Patti Drennan is an active composer and arranger with almost 700 piano books, piano/vocal books and choral octavos published with major publishers.

As a former 28-year high school choral director and then Director of Worship/Music Arts Director for almost 10 years, I have been seated at the piano creating music in so many venues. (Once a musician, always a musician, right?) In both the secular and sacred arenas, the pianist is often the glue that holds together a concert, worship service, wedding or memorial service. This is also the case when accompanying a soloist or small group. Because all music is not usually performed a cappella, a confident, quick-thinking accompanist must be ready to sense the soloist’s tempo and dynamics, phrasing and places for breathing, and the dreaded skipped-the-repeat-and-now-on-the-next-page moment! Fast thinking is a must for the church pianist and the goal is to play beautifully, giving not a hint of the soloist’s “mis-fire” to the congregation! When I was serving on staff, one of my duties as Director of Music was to create a meaningful worship service with inspiring scriptures, hymns, anthems (often two), prelude and postlude, and timing it all to when the pastor returned from a contemporary service a half-block away in another building. There were often times when he had yet to arrive and I needed to walk to the piano and extemporaneously play reflective music under a guided prayer time. For those who do not play by ear, this would be an important moment to have a secondary hymn or piano book in reach to provide that quiet music. Continue reading ‘Prelude, Postlude and All That’s In Between: A Guide for the Church Pianist’

Mark Hayes: Perfect Postludes

The postlude following a service makes creation resound with praise and allows the congregation to leave the church proclaiming God’s greatness. As the signal for the congregation to disperse, it should be a stirring exclamation point to the service that connects the worship experience to the secular world to which the crowd of people is about to return.

PerfectPostludesWhat makes a perfect postlude? Mark Hayes answers this question with his new collection, Perfect Postludes: Hymns and Spirituals to Close the Service, which contains the following ten selections:

  • Jesus Shall Reign
  • I’m Gonna Sing When the Spirit Says Sing
  • Joyful Day
  • Christ the Lord Is Risen Today
  • O for a Thousand Tongues to Sing
  • I Want Jesus to Walk with Me
  • To God Be the Glory
  • Noble March
  • Lead On, O King Eternal
  • They’ll Know We Are Christians

Here Hayes himself describes his collection and what makes it so useful for today’s church pianist: Continue reading ‘Mark Hayes: Perfect Postludes’

Pepper Choplin: Once upon a Morning – From Resurrection to Pentecost

PepperChoplin

Pepper Choplin

Guest post by composer Pepper Choplin introducing his new cantata, Once upon a Morning: From Resurrection to Pentecost. Choplin is known as one of the most creative writers in church music today. With a diverse musical background, Choplin incorporates varied styles such as folk, Gospel, classical, and jazz. His published works include over 300 anthems for church and school choir with 20 church cantatas and two books of piano arrangements, and over 120 groups have commissioned him to write original works for them. Since 1991, his choral music has sold several million copies. Choplin has conducted eight New York concerts of his music at Carnegie Hall and Lincoln Center with 250 voices and full orchestra. In his hometown of Raleigh, he has conducted eight mass performances of his cantatas at Meymandi Auditorium (home to the NC Symphony) with over two hundred voices and orchestra. In 2019, he conducted Handel’s Messiah (Christmas portion) with the 150-voice Cary Community Choir with orchestra. He also visits many schools, churches and conferences to conduct and to entertain. 

 

OnceUponAMorningI always wanted to write this cantata. Then a church in Pennsylvania commissioned me to write a spring cantata outside of the typical Easter work. For a year, I surveyed directors and singers about different potential subjects. This idea got them most excited.

I loved writing this cantata. These wonderful stories don’t receive much attention in church music. Yet, they contain so much drama and passion.

Continue reading ‘Pepper Choplin: Once upon a Morning – From Resurrection to Pentecost’

A Chat with Lloyd Larson

Guest post from Jubilate Music Group

Lloyd Larson has become one of today’s most published and performed church music writers. A frequently called-upon clinic and conference resource, Larson has been a singer, keyboard player, and arranger.

Having earned his B.A. from Anderson University, Anderson, IN, Lloyd next completed his M.C.M. at Southern Baptist Theological Seminary (SBTS), Louisville, KY, and undertook additional graduate work at SBTS and Ohio State University.

Larson’s extensive background in arranging and composing includes arranging music for an internationally broadcast radio program. Also, in 1989, he completed an editorial assignment for a new hymnal, Worship the Lord, for the Church of God, and co-edited the accompanying Hymnal Companion. In addition, Larson contributed to the Complete Library of Christian Worship, edited by Dr. Robert Webber. He has served as a church music director for decades (a role he continues to this day), which has inevitably informed his artful and well-crafted yet practical original compositions and arrangements.

Recently, Larson sat down with Mark Cabaniss, President and CEO of Jubilate Music Group, to discuss his work and to help us all get to know him a bit better. Continue reading ‘A Chat with Lloyd Larson’

Discovering Mårten Jansson & Bärenreiter’s Jansson Choral Competition

MartenJansson
Mårten Jansson

Every time we listen to Swedish composer Mårten Jansson we can’t help but get swept up in the whirlwind of emotions he creates. His music is full of all of the compositional elements that choristers love to sing: sweeping melodic lines, open chords and expressive dissonance.

Ultimately, though, performers and audiences alike fall in love with his music because they are drawn to the fundamental honesty at its core. Jansson approaches traditional sacred texts with humility, and he openly shares his experience of it through his music in a way that amplifies the text without pretense or contradiction.

JanssonMissaPopularis

This honesty should not be confused with simplicity or naïveté. Jansson’s stunning Missa Popularis, for instance, manages to connect us to a profound range of emotions, while uniting many layers of thought and tradition into the microcosm of a single piece of music. In addition to all of Jansson’s neoromantic tendencies, the Missa sits atop a foundation of Swedish folk dances and also sounds strikingly Medieval. Though perhaps most obvious in the opening of the “Kyrie” and the “Agnus Dei,” the feeling of the chant is present throughout the entire Mass. Continue reading ‘Discovering Mårten Jansson & Bärenreiter’s Jansson Choral Competition’

Dark Is the New Bright

Guest post by Mark Cabaniss

Just 30 or 40 years ago, the Tenebrae service was foreign to many a church, despite the service’s ancient roots. The Roman Catholic Church embraced it early, but it has only become popular and more regularly practiced in Mainline Protestant churches (and even some traditional evangelical churches) in recent decades.

These “services of darkness,” as they are often called, have become a “bright spot,” one could say, for churches around the world that are looking for fresh and creative ways to impart the Holy Week journey.

Sacred music publishers have responded to the heightened awareness of Tenebrae with a variety of publications that are ready to prepare and present as complete Tenebrae services with appropriate music and narration.

Tenebrae is a special service for Holy Week that can be conducted on Holy Wednesday, Maundy Thursday or Good Friday, or any day of Holy Week when a church has a regular or additional special service.

The name “Tenebrae” comes from the Latin for “shadows” or “darkness,” and denotes a service of shadows. The Tenebrae service makes use of gradually diminishing light as candles are extinguished one-by-one to guide the congregation through the events of Holy Week from the triumphant Palm Sunday entry through Jesus’s burial. Continue reading ‘Dark Is the New Bright’

Top 5 New Cantatas for Lent and Easter

1. The Easter Story by Thomas Fettke & Thomas Grassi
SATB
Performance Time: 35 minutes

Cantata_Easter_Story

The Easter Story combines a profound narrative by Ken Bible with musical selections from Tom Fettke and Thomas Grassi. Fettke and Grassi have drawn upon several folk music sources, including hymns from The Sacred Harp and The Columbian Harmony, and spirituals, carols and songs from English, Irish and Hebrew traditions. The narrative is steeped in scripture, helping to relive the events in Jerusalem leading up to Jesus’ death and resurrection.

This cantata recommends using two narrators, but can be performed with one. It is beautiful whether accompanied by piano or orchestra. Continue reading ‘Top 5 New Cantatas for Lent and Easter’


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Thought-provoking articles by musicians for musicians, music lovers or those that want to learn more about it!

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