Posts Tagged 'church choir sheet music'

Come Back Bigger and Better!

The Top 5 Reasons to Do a Christmas Cantata This Year

By Mark Cabaniss

There’s no question the pandemic changed church choirs.  At least for now.  Maybe forever?  Well, perhaps that’s up to you and us all.  This blog post makes a case to find a way to do a cantata (or musical) this year.  Even if your performing forces aren’t back up to pre-pandemic levels yet.

1. The Event Factor. Since cantatas aren’t performed on a regular basis, whenever they are performed, they’re an event. And events generally bring out more people to see them than a regular worship service (if they’re promoted correctly). They can build excitement and a real positive “buzz” in a church and community.  And nothing says “We’re back!” more than a cantata.

2. Growth. Cantatas offer the opportunity for choirs (and individuals) to grow in a number of ways: musically, numerically, and spiritually. They occasionally attract non-choir members who want to “try out” the choir on a short-term basis (and sometimes, those people become regular choir members). 

3. Bonding. An event tends to “rally” a choir and focus its rehearsals for the period leading up to the presentation. If there are a few extra (“bonus” as I call them) rehearsals to pull the work together, those offer an opportunity for greater bonding between director and choir and among choir members. If there’s a church-wide fellowship or reception following the presentation those events can promote even more bonding and unity among the choir and entire church. 

4. Attract more men and younger members. There’s no question that, in general, many choirs today are lacking in men and younger members. Cantatas often require men to participate in speaking roles (Jesus, the disciples) and with a little creative and gentle arm-twisting, the resourceful director can use a musical to recruit new men to the choir. 

5. Memories. Ask any church or choir member what anthem they sang on a particular Sunday a year ago and they’re likely to scratch their head and draw a blank. But ask them what musical they did when they were in high school, college, or last year in the adult choir and they’ll likely rattle off the title immediately. I’m not saying the weekly anthem isn’t the choir’s bread and butter, but this is further evidence cantatas are worth it. 

Not enough people in your choir to pull one off?  Join forces with a neighboring church(es).  Suddenly, your group has doubled in size. The camaraderie that is developed (and opportunity to perform the work not once by twice at each participating church) is priceless, and unforgettable.  Jubilate Music Group has several easy cantatas that are perfect for smaller and “coming back” choirs, such as There’s a Song in the Air and How Great Our Joy! both by Stan Pethel.  Also, The Gift by Lloyd Larson.

Bottom line: Cantatas – when carefully chosen, prepared, and performed – can create a lasting (and sometimes life-changing) impact on those who experience them.  

Mark Cabaniss is a music publisher, producer, writer, and educator. He is President/CEO of Jubilate Music Group, based in Nashville, Tennessee. www.markcabaniss.com

StreamSing: A Free Virtual Reading Session with Jubilate Music Group

As our Annual Choral Sale continues, we’d like to highlight a fantastic opportunity to explore new music for Thanksgiving, Advent, and Christmas .

Join host Mark Cabaniss, President & CEO of Jubilate Music Group, as special guest Mary McDonald shares thoughts on her featured pieces plus the upcoming fall/Christmas singing season.

In this approximately hour-long express session, Mark previews new music from Jubilate Music Group for Thanksgiving, Advent & Christmas from Mary McDonald, Lloyd Larson, Mark Hayes, Hal Hopson, and more.

Here are just a few of the titles featured in StreamSing:

Emerging from Our Caves

Guest post by composer Robert Sterling

I’ve often said that if I were to compare myself to an animal it would be a bear. A Grizzly, to be more specific. Grizzlies eat half the year and sleep the remaining half. And they spend a lot of time in a cave. They are okay being alone. That describes the life of the composer/arranger in a lot of ways, actually.

I work in a cave – a very nice cave, mind you. I have high-speed internet, quality studio gear, central heat & air, and a bathroom and kitchen very nearby. But it’s still essentially a cave. And when I’m not working, all too often I am either eating or sleeping. Oh, and I growl a lot, but that’s more about my personality. All in all, I’m okay in my cave.

But for the past eighteen months or so, the whole world has been in a cave, isolated from our fellow bears (I mean human beings) except for Netflix, Prime Video, and Zoom. That is not normal for the vast majority of people. Now, we are slowly emerging to see if the world outside has changed much, and if so, how.

Continue reading ‘Emerging from Our Caves’

Restore Our Song: A Homecoming

Guest post by composers Lee & Susan Dengler introducing Restore Our Song: A Resource for Restarting Your Choir, which includes an opening “kick-off” fellowship and service, devotions on the themes of deliverance and renewal, easy anthem suggestions to get the choir back in shape quickly, service ideas including a hymn sing, recruitment tips, a simple chorus for choir and congregation titled “Restore Our Song,” and more.

Finally, they were on their way!  After years of exile in Babylon, God’s people were returning to Judah.  Though some had decided to remain in Babylon, a contingent, led by the priest and scribe, Ezra, began the journey home.  To them, Babylon was still a land where they simply could not sing the Lord’s song, even when coaxed by their captors.  All they had been able to do was to hang their harps, the instruments that had once accompanied their voices, on the willow trees that stood guard by the river.  The drooping branches of the trees had served as a visual reminder of their own weeping. 

And then, they were home in their beloved native land!  In the second chapter of the book of Ezra, we find the listing of folks who returned to Jerusalem and other Judean towns. There were the priests, the temple servants, the gatekeepers of the temple.  And, there were the singers!

As the foundations of the new temple were laid, the singers began their song, as they praised and gave thanks to the Lord.  For those who listened, there was a mixture of emotions.  While some shouted for joy, others, who had remembered the former temple and all they had endured, wept with a loud voice.  It was hard to distinguish the shouts of joy from the noise of their crying.  Nevertheless, the combined sound of joyous shouts, sorrowful weeping and glorious singing could be heard for miles around.

We have thought about these people many times during the months of the COVID-19 pandemic, especially after we learned that singing in groups had the ability to spread the virus more virulently than almost anything else.  How could we sing the Lord’s song in such a land?  But now, it seems that we too are on our way home.  Almost daily, we learn of positive indicators that tell us that choirs can safely return to in-person, close-up, full-choir singing.  Thanks be to God!  This is the news for which we have been waiting over these past, long months!

Continue reading ‘Restore Our Song: A Homecoming’

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