Bärenreiter is a renowned German publisher. Founded in 1923, during an era in which there was a burgeoning interest in early music, Bärenreiter quickly developed its reputation for using musicological research to inform editorial decisions. Their editions are preferred by many musicians worldwide. So what is it about Bärenreiter publications that makes them so popular? Our interview with Bärenreiter staff, below, will answer that question and more!
Question: What is an Urtext edition? Why is it important?
Until the early 20th century, performers and music teachers were principally concerned with passing on their own performance instructions to up-and-coming generations of musicians. This led to the development of “instructive” editions, which included personal interpretations of bowing, dynamics, articulation, etc. Two of the most famous instructive editions were those by Artur Schnabel for the Beethoven sonatas and Clara Schumann for the piano works of Robert Schumann.
Because these editions contained major changes that were not originally written by the composer, there was a movement during the middle of the 20th century to return to a musical text free from any extraneous input. In a nutshell: Urtext editions are edited by specialists who take all available sources of a particular work into account and strive to put together a musical text as close as possible to the composer’s original intentions. Continue reading ‘Publisher Spotlight: Bärenreiter’
