By Jacy Burroughs
When I learned about John Cage for the first time as an undergraduate music major, I was only instructed in his most avant-garde concepts: the infamous 4’33”, his prepared piano pieces, and his chance compositions, some of which he composed using the I Ching (an ancient Chinese divination text, also known as the Book of Changes.) I recently heard a recording of Adam Tendler performing Cage’s piano solo In a Landscape. If I had not read on the score that the music was by Cage, I would not have believed it. It was so beautiful, and honestly, that’s not an adjective I would associate with Cage’s music.
I was sure there are others who share similar misconceptions about Cage’s music with me, so when I had the opportunity to meet Adam Tendler, I jumped at the chance. Adam Tendler works closely with the John Cage Trust and has performed Cage’s music internationally. He has also recorded video masterclasses and performances of Cage’s music for Tido Music, a groundbreaking web resource and iPad app. The videos were produced by Edition Peters, John Cage’s sole publisher, and are housed in the app’s Piano Masterworks collection.
And now Peters has just released a new sheet music print series, more than the score…, which can be used alongside the video masterclasses and digital editions in Tido Music. The series includes In a Landscape, presented by Tendler. As a leading interpreter of Cage’s works, I knew Adam would have encountered the whole spectrum of opinions of Cage. Here is an excerpt of my interview with him.