Wolfgang Amadeus Mozart’s Mass in C minor (K. 427) stands alongside the Requiem (K. 626) as his most remarkable church composition. Today it enjoys almost cult status, first because of its monumentality, which is unique in Mozart’s sacred vocal music, and second because, like the Requiem, it partakes of the aura of the unfinished and mysterious. The exact circumstances that gave rise to it as a votive mass have eluded explanation to the present day. The same applies to the reasons why it was left unfinished and to many details of its first performance, which, as far as we know, took place at St. Peter’s Church, Salzburg, on October 26, 1783. Finally, the transmission of the original sources also raises many questions. Indeed, it is astonishing that the Mass, although left as a torso, was performed at all during Mozart’s final visit to Salzburg. more “Revisiting Mozart’s Great Mass in C minor”
Guest post by Darcy Stanley introducing her new collection of sacred piano music, Seasonal Settings for Worship. Stanley, a composer, arranger, lyricist and orchestrator, has published many choral works, solo and duet arrangements, piano arrangements and orchestrations. As a pianist, she has been designated Permanent Professional Certified Teacher of Music in Piano from Music Teachers National Association, and has served as adjudicator for various music festivals and piano competitions. Stanley worked as adjunct music professor at Faith Baptist Bible College for 15 years, teaching piano and Choral Writing and Arranging. She and her husband, Tim, live in Greenville, SC, where she is pianist and director of orchestra and instrumental ensembles at Cornerstone Baptist Church.
Let everything that has breath praise the Lord! (Psalm 150:6) I have had the joy of praising the Lord through music since I was a child. As a little girl, I found great joy in playing the piano and singing for anyone who would listen. My sweet grandfather was my favorite and most frequent audience!
Many years have passed since those early days, and I am thankful for the numerous opportunities I have had to serve the Lord and praise Him with music. Serving as church pianist for most of my adult life has given me an appreciation of the importance of music in worship services. Pianists need to be prepared with more than just a few of their favorite hymns. Special services and occasions require music that will specifically enhance the worship service with an intentional purpose. more “Darcy Stanley: Seasonal Settings for Worship”
Guest post by composer Pepper Choplin introducing his new cantata, Once upon a Morning: From Resurrection to Pentecost. Choplin is known as one of the most creative writers in church music today. With a diverse musical background, Choplin incorporates varied styles such as folk, Gospel, classical, and jazz. His published works include over 300 anthems for church and school choir with 20 church cantatas and two books of piano arrangements, and over 120 groups have commissioned him to write original works for them. Since 1991, his choral music has sold several million copies. Choplin has conducted eight New York concerts of his music at Carnegie Hall and Lincoln Center with 250 voices and full orchestra. In his hometown of Raleigh, he has conducted eight mass performances of his cantatas at Meymandi Auditorium (home to the NC Symphony) with over two hundred voices and orchestra. In 2019, he conducted Handel’s Messiah (Christmas portion) with the 150-voice Cary Community Choir with orchestra. He also visits many schools, churches and conferences to conduct and to entertain.
I always wanted to write this cantata. Then a church in Pennsylvania commissioned me to write a spring cantata outside of the typical Easter work. For a year, I surveyed directors and singers about different potential subjects. This idea got them most excited.
I loved writing this cantata. These wonderful stories don’t receive much attention in church music. Yet, they contain so much drama and passion.
Guest post by composers Lee & Susan Dengler introducing their new Holy Week cantata, When Darkness Comes. Lee and Susan are the authors of over 400 choral anthems, cantatas and vocal and piano solo collections that are used worldwide. They have served as music leaders in churches, and have taught music on the elementary, high school and college levels. Both are professional singers and have performed in recitals, operas, oratorios and musicals. They reside in Goshen, Indiana.
Lee Dengler & Susan Naus Dengler
Easter was in mid-April that year. We who work in church music are relieved when Easter comes that late in the season, allowing adequate time to prepare for the music of Lent and Easter.
However, there was a lot going on in our house back then. We were awaiting the birth of our second child. The due date was April 1. Because of church responsibilities, we hoped that this baby would arrive on time. Rebecca Joy only made us wait two extra days before she appeared on the scene. Even though Palm Sunday was only two days later, we could fulfill our Holy Week responsibilities without too much stress.
There were, however, a few things that we hadn’t counted on. more “Lee & Susan Dengler: A Holy Week Cantata Reflecting on Sacrifice and Sorrow”