Archive for the 'New Releases' Category

StreamSing: A Free Virtual Reading Session with Jubilate Music Group

As our annual Sacred Choral Sale continues, we’d like to highlight a fantastic opportunity to explore new music for spring and Easter.

Join host Mark Cabaniss, President & CEO of Jubilate Music Group, and his special guest, composer Lloyd Larson, for StreamSing, a free virtual reading session.

In this approximately hour-long express session, Mark and Lloyd tell stories, look ahead to our future opportunities for ministry and community as church singers, and preview new music perfect for distanced, streaming and virtual choirs from Mary McDonald, Lloyd Larson, Tom Fettke and more.

Here are just a few of the titles featured in StreamSing:

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A Little Jazz Piano: Exploring the Building Blocks of Music with Bob Chilcott

Bob Chilcott
(Photo: John Bellars)

You know him as one of the world’s preeminent choral composers and conductors, as well as a former member of the King’s Singers, but like so many of us, even Bob Chilcott was forced to put down his baton this year and find other ways to make music.

Chilcott focused his musical attention on teaching piano and theory to his eleven-year-old daughter, Becky, and her friend, and ended up also writing a set of three short jazz-style pieces for the piano to help show his students and other early intermediate learners explore the technical building blocks of music and develop their musical instincts in a way that would also be fun.

The results, A Little Jazz Piano, is a short piano suite featuring Chilcott’s celebrated jazz style in three movements: “Bobbing along,” “Becky’s Song” and “Walking with Ollie.”

Watch Chilcott play excerpts of the suite here:  

VOCES8 Premieres Six New Commissions during LIVE From London – Christmas Festival

On December 5, 2020, as part of its LIVE From London – Christmas online festival, British choral ensemble VOCES8 premiered six new pieces by composers Jocelyn Hagen, Taylor Scott Davis, Ken Burton, Roderick Williams, Paul Smith and Melissa Dunphy.

The 6 New Commissions

Now Winter Nights

Roderick Williams
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Now Winter Nights” by British composer and baritone Roderick Williams uses an evocative poem by Thomas Campion as its text, helping him to pinpoint the excitement of Christmas he felt as a child and still holds onto.

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Beethoven’s Violin Sonatas: Setting the New Performance Standard

Ludwig van Beethoven

Ludwig van Beethoven’s ten violin sonatas are among the most famous works of chamber music history and represent, together with Mozart’s works for this instrument duo, the core of violin repertoire from the Viennese Classicist period.

Though composed in a short span in Beethoven’s creative life (nine of the ten were written between 1798 and 1803, with the final one appearing in 1812), these sonatas bear all the marks of Beethoven’s compositional innovation: the breaking of formal tradition, a vast emotional scope, skillful musical manipulation, and, of course, the trademark urgency and power.

The new Bärenreiter edition of the violin sonatas — or, as more appropriately titled by Beethoven himself, sonatas for the pianoforte and violin — offers a revolutionary editorial approach to the music that does more than simply hand down the text.

These new volumes, edited by historical performing practice expert Dr. Clive Brown, present an approach to performance that is quite different from what most of today’s musicians are accustomed to. This approach not only falls much more in line with what Beethoven would have expected, but also imbues the music with a renewed vigor and offers musicians an incredible array of opportunities for creativity.

“This is the highest quality of academic scholarship, but it is not only that: this edition has enabled me to bring these sonatas to life in a way that has not been possible before – this is historical research in the service of living and breathing music!”

Viktoria Mullova, Violinist

Here violinist Viktoria Mullova and pianist Alasdair Beatson demonstrate some of their most illuminating discoveries from the “Spring” Sonata (Op. 24) and show us why they’re excited to work with these new editions:

The Editorial Approach

Dr. Brown’s new editions of the Beethoven violin sonatas combine a traditional scholarly Urtext approach with a wealth of information on historical performing practice informed by the thorough study of recordings and editions made by 19th-century musicians, many of whom had direct contact with Beethoven himself or with others that did.

These historical sources reveal a striking discrepancy between performance and notation. Composers in Beethoven’s era, including Beethoven himself, simply did not write down a large swath of the expressive gestures that they would have expected musicians to make, including rhythmic and tempo flexibility, piano arpeggiation and asynchrony, portamento, cadenzas, and ornamental, rather than continuous, vibrato effects.

By not including these details in the text, composers created a space bursting with potential for the creative performer to exploit in what could and, most importantly, would be wildly distinctive and thrillingly emotional performances. In many respects, it was a creative freedom much more akin to jazz than to today’s renditions of classical music.

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New Instrumental Play-Along Series for Young Musicians from Editions Marc Reift

Editions Marc Reift, founded in 1983 by noted trombonist and conductor Marc Reift and offering a wide selection of music for bands, orchestras and solo instrumentalists, has two series of repertoire books with accompaniment CDs that are designed for young musicians.

Melodies for Beginners (Level 1)

The new Melodies for Beginners collection from Editions Marc Reift allows young beginners to build up a small repertoire of short, simple pieces. Arranged into several volumes for both solo instrumentalists and small ensembles, these Level 1 books are useful for small concerts or auditions.

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Helping Singers Learn at Home! Hope Publishing Choral Selections with Rehearsal Tracks: Fall 2020

A message from Joel Raney, Composer & Choral Editor at Hope Publishing

Joel Raney
Joel Raney

I know that these days many of us are searching for ways to keep our singers engaged without gathering. Here we feature several of our most popular titles that have part-dominant rehearsal tracks available for soprano, alto, tenor, and bass, as well as stereo accompaniment tracks. Whether you’re doing a virtual choir or some sort of limited socially distant singing, these tools are a terrific way to help singers learn new music at home on their own.

Stay strong and safe!

In Christ Alone with Cornerstone

Arr. Joel Raney
SATB Octavo
Instrumental Parts
Performance/Accompaniment CD
Voice-Dominant CD

Listen & follow along with the score

Originally, this appeared in Joel Raney and Lloyd Larson’s best-selling Lenten cantata, Hope in the Shadows. This medley pairs the popular Keith Getty song with the praise chorus “Cornerstone” and “When I Survey the Wondrous Cross.”

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A Four-Part Journey through Eric Whitacre’s Virtual Choir

Guest post by Curran Mahowald, a choral singer who participated in Eric Whitacre’s Virtual Choir 6 in May 2020

Eric Whitacre

In the spring of 2020, Eric Whitacre assembled his sixth global virtual choir to premiere his new piece, “Sing Gently.” Following a series of virtual rehearsals led by Whitacre himself, 17,572 singers from 129 countries submitted videos of themselves singing their individual lines.

From there, a team of film editors and audio engineers from 59 Productions and Floating Earth assembled the individual submissions into one final virtual performance:

Here is what it was like to contribute my voice to that video.

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Prelude, Postlude and All That’s In Between: A Guide for the Church Pianist

Patti Drennan is an active composer and arranger with almost 700 piano books, piano/vocal books and choral octavos published with major publishers.

As a former 28-year high school choral director and then Director of Worship/Music Arts Director for almost 10 years, I have been seated at the piano creating music in so many venues. (Once a musician, always a musician, right?) In both the secular and sacred arenas, the pianist is often the glue that holds together a concert, worship service, wedding or memorial service. This is also the case when accompanying a soloist or small group. Because all music is not usually performed a cappella, a confident, quick-thinking accompanist must be ready to sense the soloist’s tempo and dynamics, phrasing and places for breathing, and the dreaded skipped-the-repeat-and-now-on-the-next-page moment! Fast thinking is a must for the church pianist and the goal is to play beautifully, giving not a hint of the soloist’s “mis-fire” to the congregation! When I was serving on staff, one of my duties as Director of Music was to create a meaningful worship service with inspiring scriptures, hymns, anthems (often two), prelude and postlude, and timing it all to when the pastor returned from a contemporary service a half-block away in another building. There were often times when he had yet to arrive and I needed to walk to the piano and extemporaneously play reflective music under a guided prayer time. For those who do not play by ear, this would be an important moment to have a secondary hymn or piano book in reach to provide that quiet music. Continue reading ‘Prelude, Postlude and All That’s In Between: A Guide for the Church Pianist’

Transcribing Keith Jarrett’s “A Melody at Night, with You”

KeithJarrett2

Keith Jarrett

The 1999 recording The Melody at Night, with You is one of Keith Jarrett’s most popular records. Originally created as a gift to his wife, his versions of songs from the Great American Songbook plus the traditional “Shenandoah” are permeated by a special atmosphere that makes the recording one of his most personal audio documents. Jarrett dispenses with the jazz soloist’s conventional emphasis on dexterity, the “clever” phrase and the virtuosic sleight-of-hand, and instead strips these songs to their melodic essence to gently lay bare their emotional core.

After many years of preparation, the sheet music for The Melody at Night, with You has now been published by Schott Music with Jarrett’s approval and the support of Jarrett’s label, ECM.

TheMelodyAtNightWithYou

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Learning to Play Piano for the Very Young: The Perfect Pre-Primer for Preschoolers

Debbie Cavalier of Debbie and Friends, a music educator and Sr. Vice President at Berklee College of Music/DEO Berklee Online and one of the top children’s music artists in the nation, published Learning To Play Piano for the Very Young to provide a fun, engaging introduction to the keyboard. Cavalier created the book with her grandfather, noted arranger/composer Marty Gold.

Cavalier_LearningToPlayPiano_Cover

With this fun, new pre-primer piano method, young children may:

  • learn to read the treble clef and note names using colorful pictures
  • get started playing familiar melodies with their right hand
  • learn to play seven well-loved songs including favorites such as “Twinkle, Twinkle” and “Jingle Bells”
  • enjoy family sing-alongs with the guitar chord chart and lyrics included

Continue reading ‘Learning to Play Piano for the Very Young: The Perfect Pre-Primer for Preschoolers’



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