Edition Peters’ New Chopin Edition is Here

The Complete Chopin: A New Critical Editionpublished by Edition Peters, has been developed by leading Chopin scholars John Rink (Editor-in-Chief), Jean-Jacques Eigeldinger, Christophe Grabowski and Jim Samson.  

The Chopin edition of choice for every serious pianist’s library, The Complete Chopin is based on two key premises: 1) there can be no definition version of Chopin’s works, as variants form an integral part of the music; and 2) a conflation of several sources, producing a version of the music that never really existed, should be avoided.

The editors’ procedure is therefore to identify a single principal source for each work and to prepare an edition of that source. At the same time, important variants from other authorized sources are reproduced either adjacent or within the main music text, in footnotes or in the Critical Commentary. 

In the video below – an Introduction to The Complete Chopin: A New Critical Edition – Editor-in-Chief John Rink brings the editions to life, giving a ‘behind the scenes’ view of the editorial process and also providing some fascinating insights into the primary criteria in judging pianists in the Chopin Competition. (John Rink is also a regular member of the Jury for the International Chopin Competition, Professor of Musical Performance Studies in the Cambridge Faculty of Music, and Fellow and Director of Studies in Music at St John’s College, Cambridge.) 

5 Online Learning Resources for Beginner Through Advanced Musicians

Guest Post By: Chloe Brittain

Online music education is rapidly evolving, with new programs, courses, and technologies being released continually. From ocarina lessons to composing film music in the style of Hans Zimmer, you might be surprised what musical avenues you can explore with a Google search.

In addition to its diversity of content, the online medium provides a lot of scope for different learning styles. There’s something for everyone – interactive software, self-guided video courses, online private lessons, and live group workshops. Many online learning platforms also host thriving student communities, providing plenty of opportunity for peer collaboration and critique.

Here we’ll look at some of the top online resources for improving your musical skills – or learning completely new ones – from the comfort of home.

Online music courses and MOOCs

If you prefer learning through video-based tutorials, visit Udemy for a massive catalog of free and premium courses in subjects like piano, music theory, music production, and even more obscure areas of study, such as traditional Irish singing and world percussion. 

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Another good source of free courses is Coursera, which lists MOOCs (Massive Open Online Courses) from top-rated institutions like Berklee College of Music. At the time of this writing, Berklee offers MOOCs in areas like electronic music production, music theory and composition, music business, guitar, and vocal recording technology.

In addition to the above resources, many online music production courses have cropped up in recent years. If you’re trying to choose between a few different courses, you can usually find lots of student feedback on sites like TrustPilot and Reddit to help in your decision.

Interactive piano and keyboard learning software 

Music education technology has come a long way in recent years. Today’s piano learning apps employ artificial intelligence and gamification elements that help you advance your skills faster and motivate you to practice more. While many of these apps require a USB/MIDI connection so you can play along with the moving score, others are able to pick up sound via your device’s microphone and can be used with acoustic instruments.

Some piano learning apps, such as Skoove, offer free plans.

Free online guitar lessons for beginner and advanced guitarists

Many people dream of learning this versatile instrument, and there have never been so many useful learning tools for aspiring (and accomplished) guitarists.

For free online guitar and ukulele lessons, check out JustinGuitar.com. The site, launched in 2003 by Australian guitarist Justin Sandercoe, includes over 1,300 beginner through advanced video lessons covering a wide range of musical styles like blues, rock, folk, and jazz. If you’re new to the guitar, you’ll want to start with the popular Beginner Guitar Course, which will guide you through fundamentals such as chords, strumming techniques, and fingerstyle guitar. Justin is known for his fun and friendly teaching style, and the courses are designed to feel like private lessons and help you progress quickly.

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One-one-one music lessons and live group workshops

While self-guided courses and interactive apps can open the door to new musical skills, there’s no substitute for having a human teacher to watch and hear you play and give feedback on your technique.

Since the start of the pandemic, many top music artists have been offering one-on-one lessons or group workshops via Skype or Zoom. To find out who is teaching online, visit the websites of your favorite musicians, or better yet, ask around in online music forums and Facebook groups. You’ll find that many students are happy to share their experience and offer recommendations for a good instructor.

There are also services that connect music teachers with students for online lessons. One such site is Wyzant, with typical rates for music lessons ranging from $30-$50 an hour. (Of note, Wyzant also gives you the option to connect with local teachers for in-person tutoring.)

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Online training for traditional instruments and playing styles 

In this section I’d like to mention a couple resources covering more niche or traditional instruments and playing styles. The following sites offer subscription-based video training at reasonable prices:

  • Online Academy of Irish Music. If you’ve ever wanted to join in and play along at an Irish pub session, this online learning platform will give you the skills and confidence you need. In video-based courses taught by renowned Irish musicians, you’ll learn Irish music technique and ornamentation while building your repertoire of popular trad tunes. You don’t need to be able to read music to enjoy the classes, as Irish music is learned by listening. Among the 14 instruments covered are tin whistle, bodhran, bouzouki, flute, guitar, mandolin, fiddle, and uilleann pipes. 
  • Peghead Nation. This site provides beginner through advanced video instruction in “roots” music – bluegrass, folk, Irish, blues, jazz, etc. – taught by world-class teachers. Instruments covered include guitar, mandolin, banjo, fiddle, dobro, ukulele, and upright bass.
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There’s never been a better time to become a self-taught musician. Today’s online music learning resources are carefully engineered to help you progress efficiently in your musicianship and, more importantly, have tons of fun while doing it!

Author bio

Chloe Brittain blogs about online music courses and other learning resources at Just Music Stuff. She is currently learning Irish flute and guitar online.

StreamSing: A Free Virtual Reading Session with Jubilate Music Group

As our Annual Choral Sale continues, we’d like to highlight a fantastic opportunity to explore new music for Thanksgiving, Advent, and Christmas .

Join host Mark Cabaniss, President & CEO of Jubilate Music Group, as special guest Mary McDonald shares thoughts on her featured pieces plus the upcoming fall/Christmas singing season.

In this approximately hour-long express session, Mark previews new music from Jubilate Music Group for Thanksgiving, Advent & Christmas from Mary McDonald, Lloyd Larson, Mark Hayes, Hal Hopson, and more.

Here are just a few of the titles featured in StreamSing:

Vocal Warm-Up Cheat Sheet: An Easy Way to Improve the Sound of Your Choir

Composer Michael John Trotta has prepared a cheat sheet full of vocal warm-ups to help you get your choir back in the swing of things and sounding better than ever.

Download Michael John Trotta’s Vocal Warm-Up Cheat Sheet here:

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Rockschool: A Complete Beginners Guide

RSL Awards Academic Director Tim Bennett-Hart takes us through everything Rockschool

Rockschool is part of RSL Awards, an international awarding body based in London, UK. For the last 30 years we have been producing material to help people learn musical instruments and assess their progress.

What’s more it really works! Artists such as Ed Sheeran, Jess Glyn, and Wolf Alice have all taken RSL Awards qualifications and gone on to have incredible careers.

It’s not just for super stars. RSL Awards assess over 80,000 people each year across 50 countries – this is a world-wide community of creative people.






What’s in a Book

A typical book like Electric Guitar Level 3 contains – 6 full transcriptions of hit songs, 6 original songs, backing tracks and example audio to download, scales and technical exercises for the level.

Nirvana – Smells Like Teen Spirit
Ike & Tina Turner – Proud Mary
Taylor Swift – I Knew You Were Trouble
Ed Sheeran – Thinking Out Loud
Bryan Adams – Summer of ’69
Otis Redding – (Sittin’ On) The Dock Of The Bay


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How to Make Your Own Virtual Choir

Make your own virtual choir performance in just 8 steps. This guide includes tips for planning the project, recording participant tracks, and editing the submissions into a final performance ready to post and send. For related technology and tools, visit Sheet Music Plus.

You’ve seen them everywhere online: grids of iPhone videos of people singing together in chorus. From Broadway stars and professional choral groups to church and community choirs and even ad hoc regional and global networks of singers, the defining group music making moment of the decade so far is…

VIRTUAL CHOIR

Here we’ll walk you through what a virtual choir is and give you a step-by-step guide to creating your own, whether for the choir you regularly sing with or direct, or for a new group of singers you’ve brought together for a specific project.

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How to Start to Learn Guitar Solos

Guest post by Leo Nguyen, founder of Six String Tips

Playing guitar solos is one of the highest aspirations a guitar player can have. We’ve all heard amazing guitar solos that are so inspiring that they make us want to do whatever it takes to be able to play them, right?

You may be in a situation where you don’t know where to start or how to have a better understanding of how guitar solos work. Keep reading and you will find really cool concepts that will make a difference in how you approach them!

1. What are guitar solos anyway?

To begin with, we can say that guitar solos are instrumental parts, and as such they provide a great opportunity for the guitar to abandon the accompaniment role and be more of a leader.

Guitar solos fulfill a really important role in the song. (No… not to show off, man!) In any song with vocals, the song gets to certain points where a vocal break is needed, noot only from the singer/vocalist’s perspective (to rest), but also for the sake of song construction.

Imagine if you hear a song with no instrumental gaps: it would be terrible! But guitar solos can give those breaks, and keep the song interesting at the same time. That’s why we need to make sure they are well crafted.

There are a great number of different possibilities in solos, but something we know for sure is that guitar solos always need to be aligned with the style of the song.

What kinds of solos are there?

Melodies – Some solos are basically melodies: a melody already used in the song, or a new one, is presented in a highly expressive and embellished way.

Improvisation – There are cases where guitar solo sections are basically left to the interpretation of the player at a specific time. (This mostly happens in live situations.) 

more “How to Start to Learn Guitar Solos”

StreamSing: A Free Virtual Reading Session with Jubilate Music Group

As our annual Sacred Choral Sale continues, we’d like to highlight a fantastic opportunity to explore new music for spring and Easter.

Join host Mark Cabaniss, President & CEO of Jubilate Music Group, and his special guest, composer Lloyd Larson, for StreamSing, a free virtual reading session.

In this approximately hour-long express session, Mark and Lloyd tell stories, look ahead to our future opportunities for ministry and community as church singers, and preview new music perfect for distanced, streaming and virtual choirs from Mary McDonald, Lloyd Larson, Tom Fettke and more.

Here are just a few of the titles featured in StreamSing:

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A Little Jazz Piano: Exploring the Building Blocks of Music with Bob Chilcott

Bob Chilcott
(Photo: John Bellars)

You know him as one of the world’s preeminent choral composers and conductors, as well as a former member of the King’s Singers, but like so many of us, even Bob Chilcott was forced to put down his baton this year and find other ways to make music.

Chilcott focused his musical attention on teaching piano and theory to his eleven-year-old daughter, Becky, and her friend, and ended up also writing a set of three short jazz-style pieces for the piano to help show his students and other early intermediate learners explore the technical building blocks of music and develop their musical instincts in a way that would also be fun.

The results, A Little Jazz Piano, is a short piano suite featuring Chilcott’s celebrated jazz style in three movements: “Bobbing along,” “Becky’s Song” and “Walking with Ollie.”

Watch Chilcott play excerpts of the suite here:  

Habits of a Successful Beginner Band Musician: How to Build Solid Foundations & Help First-Year Students Fall in Love with Music

Those of us who teach beginners have specific challenges. Not only do we have to acquaint our students with new instruments, but we also have to begin to acquaint them with musical notation and theory, help them develop good practice habits, and be on the lookout for improper techniques that can turn into major challenges in the years ahead. If our students are very young, we have extra work to help them develop their motor skills, and if we teach ensembles like bands and orchestras, we have the added challenge of attempting to do all of this for many students at the same time.

The team behind the much-loved Habits series, which includes such titles as Habits of a Significant Band Director and Habits of a Successful Middle School Band Director, is back to address these challenges head-on with a new method book focused on first-year band, Habits of a Successful Beginner Band Musician, and a treasure trove of supplemental resources on the Habits Universal website perfect for virtual, in-person and hybrid learning environments alike.

Here’s what makes Habits of a Successful Beginner Band Musician special:

Instrument-Specific Instruction

Even within the context of an entire band, Habits of a Successful Beginner Band Musician manages to deliver specialized resources for each instrument.

On Habits Universal, students can watch videos of professionals introduce and play each exercise on each instrument. This helps them learn how music notation translates to the sounds they make, exposes them to what their instruments can sound like with proper technique and tons of practice, and gives them models to strive toward. This is especially critical for students who don’t have access to private lessons, masterclasses or high-level live performances.

Habits of a Successful Beginner Band Musician also addresses individual instrument techniques that many other methods ignore entirely, which are especially helpful for instruments that a lot of band directors find a bit trickier. Among these topics are:

  • The oboe F dilemma: Did you know that the oboe has three different ways to play an F?  Many directors don’t even realize that there are three options!  Habits of a Successful Beginner Band Musician indicates which F an oboist should use throughout most of the book.
  • Bassoon flicking: The best way to initiate sound on the bassoon for an A, B-flat, B, C or D is to flick on the C key. Habits of a Successful Beginner Band Musician describes what this means and how to do it, and employs the degree sign, the universal sign for bassoonists to flick, throughout the book.

This level of detail extends to other instruments with such features as left and right indicators for clarinets, thorough sticking for mallets, and chromatic fingering indicators.

Teacher Tips & Resources

Each exercise in Habits of a Successful Beginner Band Musician comes with tips for the teacher: how to approach an exercise with their students, what to watch out for in various instrument sections, and suggestions for how to help students master it. Below is an example:

On Habits Universal Interactive, students can play along with backing tracks and listen to real audio models of their lines. They can also video record themselves playing their lines and get automatic graded feedback on their performance. While this feature is especially helpful for remote instruction, it’s also incredibly valuable for students who can be shy about playing in front of their peers.

Notably, the assessment software scores pitch, rhythm and length separately, and tracks errors alongside the notated line, so that a student can go note by note and see exactly where they need to improve. (The teacher still has the option to change final scores on assignments and to add comments.)

This video shows an extensive demo of Habits Universal Interactive. (The demo of the assessment tool starts at minute 27:39.)

As a note, grades can be integrated with virtually any software (e.g., Schoology, Canvas, PowerSchool) that a school uses to report grades via a simple export.

Musicianship

Written by band directors with decades of experience under their belts, Habits of a Successful Beginner Band Musician confronts the classic difficulty of getting kids out of what author Scott Rush calls the “B-flat/E-flat/A-flat Club,” where kids are only comfortable playing in B-flat Major and E-flat Major with some momentary departures into F Major. Rather than, as in other methods, playing in the B-flat pentascale 95% of the time, Habits of a Successful Beginner Band Musician quickly moves up a step to the C pentascale to get kids used to reading and playing in keys with naturals and sharps, opening up a larger portion of the literature to them by the time they get to middle school and high school.

With so much focus on specific tactics and features, it’s crucial to mention that what is perhaps the most important part of Habits of a Successful Beginner Band Musician is that its primary goal is to help students fall in love with music. Habits of a Successful Beginner Band Musician offers teachers developmentally appropriate language for teaching musical concepts so that even beginner band students can start to build musicality into their playing from the early days.