Ludwig van Beethoven Ludwig van Beethoven’s ten violin sonatas are among the most famous works of chamber music history and represent, together with Mozart’s works for this instrument duo, the core of violin repertoire from the Viennese Classicist period. Though composed in a short span in Beethoven’s creative life (nine of the ten were written... Continue Reading →
Revisiting Mozart’s Great Mass in C minor
Wolfgang Amadeus Mozart’s Mass in C minor (K. 427) stands alongside the Requiem (K. 626) as his most remarkable church composition. Today it enjoys almost cult status, first because of its monumentality, which is unique in Mozart’s sacred vocal music, and second because, like the Requiem, it partakes of the aura of the unfinished and... Continue Reading →
A Short Foray into Beethoven’s Variations
Guest post by Dr. Dominik Rahmer, editor at G. Henle Verlag. The formal technique of “variations” played an important role in Beethoven’s work throughout his entire life. Critic Paul Bekker wrote in 1911, “Beethoven begins with variations,” and indeed this is true not only of the character of his oeuvre, but also of its chronological... Continue Reading →
Beethoven’s Piano Sonatas: The New New Testament of Piano Repertoire
1870 marked the 100th birthday of Ludwig van Beethoven. After denying the invitation from the “Beethoven Committee of Vienna” to appear onstage together with Liszt, Joachim and Clara Schumann to celebrate the event, Richard Wagner decided to write an essay instead. While this essay is notable as a broader investigation of Wagner’s aesthetic philosophy and... Continue Reading →
Beethoven’s Ninth: How Reading What Beethoven Wrote Changed Everything
For a conductor music starts with Beethoven. And for the son of a conductor both can start very early, as they did for Jonathan Del Mar, Beethoven scholar and editor of the new edition of Beethoven’s nine symphonies for Bärenreiter. In 1949 Del Mar’s father, conductor Norman Del Mar, purchased a copy of the 1924... Continue Reading →
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