Archive for the 'choral' Category

Behold, A Savior by Jay Rouse and Rose Aspinall

We are delighted to bring Behold, A Savior! to you—delighted. We are storytellers; Jay with his piano, Rose with her pen. Our hope is that what we set down on paper, be it words or musical notations, will have a life beyond our vision.

 

We always strive to be servants of the work. This creative act is our annunciation. In this way, we keep Jesus alive in our hearts. But once we send it out into the world, it’s yours. It no longer depends on our piano and pen. It depends on you. We give this to you with a prayer. May He be born in you. May you become ever more alive in Him. And then, tell the story, His story and your story. Tell it in your own way. Tell it again and again and again.

 

Creating a new work has its own journey. This one is no different. As we talked through our thoughts for Behold, A Savior!, our desire was to create a collection that would serve you in multiple ways. We wanted to provide fresh arrangements of your favorite Christmas songs, as well as give you some beautiful, new original songs.

 

We wanted a work that offered you the option of meaningful and accessible dramatic moments without making them intrinsic to its performance. We realized that this could be a bit of a challenge. We’re happy with what developed, and we hope you will be too. So, in that light…

 

Need music to carry you over the Advent season? You’ll find it in this work.

It’s the first Sunday of Advent and you need a moment for the Prophesy candle during the lighting of your Advent wreath. You can easily present “O Come, Emmanuel, Rejoice!” along with the short Zechariah monologue either as a dramatic reading or with an actor in costume. There are equally appropriate moments for the Bethlehem candle, the Shepherd candle, and the Angel candle too.

Maybe your time is limited and you only want to read the scripture that ties to the song. That’s there for you too. You choose.

 

Need a whole piece to present for a special event?

This collection covers the broad sweep of the Christmas story with all its glory, as well as its most tender and intimate moments. We have provided an optional opening and closing narration for your pastor or lay person that will create a space for an altar call if you should choose to offer one.

 

Do you have a few good actors that would love to present a short monologue?

Adding dramatic moments without committing to a full-fledged production is easy with this work and can add another layer to your production. Monologues can be presented in Reader’s Theatre fashion if you want to forego costumes and memorization.

No matter how you choose to present Behold, A Savior!, if Christ is glorified, we will have accomplished our goal.

-Jay Rouse and Rose Aspinall

 

Rouse Jay_300 cmykAbout Jay Rouse

Jay Rouse is one of the premier choral arrangers in Christian music. He has over three hundred and fifty compositions and arrangements published, including over thirty major sacred choral works and fifty best-selling a cappella arrangements. Rouse is a Dove Award winning producer and has logged many hours on the road traveling in the music ministry. He spent over ten years as musical director and accompanist for Sandi Patty. Rouse continues to make a major impact on music for the church musician across the nation.

 

 

Rose-Aspinall 300dpi CMYKAbout Rose Aspinall:

Rose M. Aspinall is a writer living in small town, USA, Alexandria, Indiana, better known as the home of Bill and Gloria Gaither. At the end of 1983, she and her husband and children moved from Ohio to join the Gaither organization. She has now been part of the music industry for more than three decades. Twenty of those years she headed up the print-on-demand division of PraiseGathering Music Group.
Moving over to the creative side of the business in 2009, she now works as a freelance writer, lending her talents as a lyricist for top industry arrangers and publishing companies while continuing to serve as writer and associate producer for original PraiseGathering publications. She is also responsible for all dramatic scripts, producing and editing blog content, social media, and copy.
Active both on and off the stage in local community and church theater productions, Rose is an accomplished actress and gifted communicator. She often brings her written scripts to life on the conference stage. Her deep interest in the arts as it relates to the church is abundantly evident in her writing. Her great passion is redemption and restoration through storytelling.

She and her husband, Mark, are the parents of two grown daughters and the grandparents of six!

New School Year, New Warm-Ups

Do your warm-ups need a tune-up? Are you looking for effective warm-ups that still leave you with plenty of rehearsal time? Would you like to strengthen your choir’s ability to sight-read while also warming their voices up in preparation for singing? Two birds with one stone, anyone? If you answered yes to any (or all) of these questions, Russell Robinson’s Quick-Start Choral Warm-Ups is for you! This practical resource has been getting a lot of attention from directors nationwide, and we don’t think it will take you long to see why.

 

To see this resource in action, check-out the video below!

 

Quick-Start Choral Warm-Ups:

  • Provides an easy and efficient way to begin each rehearsal.
  • Consists of twenty sequences, each consisting of four components (Warming Down, Warming Up, Diction, and Chordal) that prepare the voice and the mind for producing a beautiful choral sound. These sequences can be sung in order, one per day (Day 1, No1; Day 2, No. 2, etc.), or the director can choose to sing them out of order. They are not sequenced in order of difficulty.
  • Includes a Director Edition and Singer Editions. The Director Edition contains all of the vocal parts and piano accompaniments, in addition to a detailed introduction and User’s Guide. The Singer Edition, which includes the vocal parts, is octavo size, designed to fit comfortably in choral folders all year long. An Accompaniment CD is also available.

For more on Quick-Start Choral Warm-Ups or to purchase, click here

 

For additional music and resources from Heritage Music Press, click here

 

 

Dr. Russell L. Robinson, Emeritus Professor of Music Education at the University of Florida, has made over 300 appearances as a conductor, speaker, consultant and presenter at festivals, workshops, honor choirs, all-state choirs and state, regional, national and international conferences in the US, Europe, Asia, Africa, Central America, South America, Mexico, Canada, the Middle East, and Australia as well as conducting venues, which include: Carnegie Hall, Lincoln Center, the Kennedy Center, Boston’s Symphony Hall, the White House, and Washington’s National Cathedral. Dr. Robinson was the 2016 inductee into the Florida Music Educators Association (FMEA) Hall of Fame, and is a past President of FMEA, Associate Dean of the UF College of the Arts, National Collegiate Chair and Choral Adviser for the National Association for Music Education (NAfME). Dr. Robinson is a published author, composer and arranger with over 350 publications in print, including choral compositions, arrangements, articles, books, and instructional DVD’s.

 

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New Resource for Choir Rehearsals: carus plus put to the test

A choir is a collective of different types of singers who approach rehearsals in very different ways: one can sing perfectly by sight, whilst another is always reliant on his or her neighbor. Some prepare for rehearsals at home, but most of the singers hope to get some direction from the conductor and practice their parts during rehearsals. Bringing together and shaping voices which have more-or-less secure intonation into a unified sound is a task which requires a lot of time and effort on the part of all involved.

In order to make this task easier, in recent years Carus has considerably expanded its range of new, motivating practice aids. Under the keyword “carus plus” practice aids are now available to suit the different needs of singers for over 70 works from the international standard repertoire – from Bach’s St Matthew Passion to many masses by Haydn, Mozart, and Schubert, and to Saint-Saëns’ Oratorio de Noël.

 

carus music, The Choir app

7331000u “How can we exploit the possibilities offered by new media to support individual practice for choral singers?”, asked Johannes Graulich, managing director of Carus-Verlag, and himself an active choral singer. As a response to this, carus music, the choir app was created in 2015, and has since gone on to become established as a helpful practice aid for thousands of choral singers. What is special about this app is not only the combination of music with an excellent recording, but in particular the so-called “coach”. If you select the coach mode, your own voice is reinforced by the piano as part of the overall sound, and through this it can be heard better as if you are in a rehearsal situation. As well as this, with the coach it is also possible to play pieces back at a slower tempo for practice purposes. “The app helps choral singers to learn the notes quicker so that I have more time for my interpretation”, is how conductor Klaus Brecht sums up practicing with the digital coach. He added, “when it comes to repeating passages, it is more patient than me; each singer can decide how he or she wants to use it.” Lots of singers in Brecht’s chamber choir Tritonus confirm that preparation for choir rehearsals is definitely more fun with carus music: “It was really fun to have the opportunity to practice the piece with the full sound at home”, one of the singers enthused. And one advantage which should not be underestimated – the choral singers, whose daily life is not exclusively devoted to singing, valued the straightforwardness of the app: “When you’ve got some free time you can have a quick listen, and you’ve got the music right there.” Those choral singers who learn their parts mainly by listening see the coach as an invaluable support.

Choral director Klaus Brecht regards the fact that first-class ensembles such as the Stuttgart Kammerchor can be heard on the app as a huge advantage: “Intonation is a strong reason to practice with the app, because you’re always practicing with a choir which has excellent intonation. And the difference between practicing with the piano is the fact that the singer is always surrounded by a very good choral sound, which hopefully soon filters down to him or her.” For choral singers a similar motivating argument: “I found my first listening to the piece super, because the recording is lovely and I always had the overall sound right there,” enthused one singer.

Here you could find all works with carus plus.

 

Carus Choir Coach – practice aids on CD

cover-medium_large_fileEncouraged by the enthusiastic reception of the choir app, Carus-Verlag gave further thought to the idea of the individual practicing: so that those who do not have smart phones or tablets can benefit from the coach, this is now also on offer in the form of practice CDs in the “Carus Choir Coach” series.

 

Vocal scores XL

cover-medium_large_file-1And we have responded to a frequently-heard wish from choral singers regarded printed music scores: for many works Carus also offers vocal scores in large print – the Vocal scores XL series – enabling, for example, singers with less than perfect eyesight to enjoy more relaxed reading.

Klaus Brecht’s chamber choir is convinced by the carus plus range without exception: “we’ve definitely saved two to three rehearsals with what everyone has done at home”, was one soprano’s opinion of practising with the app. And there was unanimity amongst the singers in the chamber choir, especially about the fun and motivation factor of carus music, the choir app, as one alto confirmed: “It’s really been fun to practise, because you can always hear this wonderful choir. And so I’ve certainly practised more than normal.”

What more could a conductor ask for?

 

 


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