Search Results for 'bring the ring'



New Lent and Easter Cantatas and Anthems for 2017

Discover new and poignant choral cantatas and anthems appropriate for the Lent and Easter seasons from Beckenhorst Press, Brookfield Press, Hope, Lorenz, Shawnee Press and SoundForth.

Cantatas

Come to the Cross and Remember by Pepper Choplin

Iconic imagery of the Easter story is paired with a beautiful melodic figure that weaves throughout the entire work to help present and guide the audience through this work. The music by Pepper Choplin, accompanied by Michael Lawrence’s stunning orchestration, powerfully represents the high and low moments of Christ’s death, burial, and resurrection. Additional choruses and hymns illumine the journey, including the haunting “Go to Dark Gethsemane,” the spine-tingling “Judas,” the mournful “Surely He Has Borne Our Griefs,” the transportive “You Will Be with Me in Paradise,” and the majestically triumphant “Every Knee Should Bow.”

Psalm 23: A Journey with the Shepherd by Pepper Choplin

“Psalm 23 holds a special place in the lives of believers.  We often read or say it from memory at significant services and times of challenge.  Through this cantata, I wanted choir and audience to truly experience this most beloved psalm:

to feel the peace of the still waters,

to be comforted through shadow of death,

to express gratitude for the bountiful table of blessings

and to celebrate the mercy which follows through all the days of our lives.

The music is dramatic with an artistic flair, but written with the church and community choir in mind.”

Pepper Choplin

Sacred Places: Pilgrimage of Promise by Joseph Martin

“I have always been inspired by the early American folk hymn tradition. I grew up in North Carolina where these time-honored texts and tunes are very much a part of the church music experience. In SACRED PLACES I have tried to capture some of that rustic spirit and tell the timeless story of Christ’s ministry and passion. The focus of the cantata is on the places where Jesus performed some of his important miracles and where he experienced other significant moments in his final days. The River Jordan, The Wedding at Cana, The Pool of Bethesda, The holy city of Jerusalem, the upper room, the Garden of Gethsemane, Calvary and the Garden of Resurrection.

The narration is based on scripture and helps move the work forward. Two endings are provided, one intended for use during Holy Week and a more joyful triumphant conclusion for churches performing the work after Easter. The orchestrations by Brant Adams are filled with an abundance of creativity and provide a colorful soundtrack for the work. With SACRED PLACES I have tried to create something interesting, yet approachable, so that choirs of any size and level of accomplishment can embrace the work with confidence.”

Joseph Martin

Lamentations of the Lamb by John Purifoy

“Pamela Stewart’s poignant and insightful lyrics made composing ‘Lamentations of the Lamb’ a true journey experiencing Christ’s final week of betrayal, suffering and sacrifice for us as believers.  It is always our hope as writers and composers that these emotions resonate in the music for both singers, instrumentalists and worshipers alike.  The blending of Old Testament prophecy, historical hymn texts and newly written lyrics also made setting the music an artistic reward.”

John Purifoy

 

Hope in the Shadows by Joel Raney and Lloyd Larson

Retracing Christ’s final days and journey to the cross, this new musical for Lent and Holy Week includes a mixture of traditional and contemporary hymns and songs set in a variety of styles. Arranged for SATB choir with narrator(s), and options to include soloists and congregation, plus a 5-piece instrumental ensemble, scored by Ed Hogan, this 38-minute program focuses on our Savior’s sacrifice and the hope in the shadows to which we cling.

 

 

 

Anthems

Christ Is Risen, Alleluia! by Jay Althouse

This exuberant Easter anthem opens with a joyous, hymn-like melody, harmonized in a straightforward manner. This leads to a statement of the majestic hymn “Christ the Lord Is Risen Today” in a comfortable key, making it ideal for having the congregation join in. Returning to the original melody for a powerful conclusion makes this an accessible, uplifting musical presentation for Easter Sunday.

 

 

 

I Am Bound for the Promised Land! by Craig Courtney

bound_promised_land

A march-like ritornello begins Craig Courtney’s new arrangement of I Am Bound for the Promised Land and, although that motive can be heard throughout the piece, he counters that with contrast and variety in the 4-hand accompaniment and a variety of articulation in the voices. Snare drum, triangle and cymbals add to the dramatic effect.

 

 

 

 

I’ll Fly Away by Craig Courtney

Craig Courtney’s arrangement of I’ll Fly Away begins as a seemingly traditional treatment of the Brumley gospel tune but, as the piece goes on, it veers into different territory. Chock full of text painting, polyphony and a tipping of the hat to Gershwin, it becomes a journey of joy. The 4-hand accompaniment is creatively sophisticated. This would be the perfect choice for a choir festival or as a final piece in a concert that will “bring the house down”.

 

 

 

Anthems of Love by Dan Forrest

Anthems of Love is Dan Forrest’s setting of an ethereal Susan Boersma text based on Zephaniah 3:17, where God sings over His children with joy. The music portrays the idea of “celestial music” surrounding our praise, as God Himself joins in our songs of praise to Him. The combination of text and music is strikingly beautiful.

 

 

 

 

A Mighty Fortress by Dan Forrest

Dan Forrest’s new setting of A Mighty Fortress is just in time for the 500th anniversary of the Reformation being celebrated around the world in 2017. His setting opens with a evocation of the blows of Luther’s hammer, and then works its way through music history, while not becoming overly difficult. It has numerous instrumental accompaniment options available, for maximum flexibility.

 

 

 

Pie Jesu by Joseph Martin

Joseph Martin beautifully set this Latin text with an optional English translation along with an original melody that is nothing short of breath-taking. Equally functional as it is beautiful, this anthem is equally applicable in a worship service or concert setting. The optional violin part provides another layer of musical tenderness that will live with the choir and audience well after the performance ends.

 

 

 

How Can It Be? by Jay Rouse

Jay Rouse’s arrangement of this 2015 Contemporary Christian song of the year is an authentic and powerful choral representation of this stirring worship song. With an expressive solo and driving instrumental accompaniment, this anthem provides a compelling opportunity for congregation participation.

 

 

 

 

Agnus Dei with How Great Thou Art by Michael W. Smith & Stuart K. Hine

This Michael W. Smith “classic” is ideal for any worship occasion and especially communion services reflecting on Jesus, the Lamb of God. The inclusion of a portion of “How Great Thou Art” expands and reinforces this anthem of praise to the Lord God Almighty.

 

 

 

 

 

Come People of the Risen King with Rejoice, the Lord Is King by Stuart Townend, Keith & Kristyn Getty

This dynamic hymn setting calls for the church of Christ, both young and old, to rejoice in the risen King. A verse of the Charles Wesley hymn “Rejoice, the Lord Is King!” is seamlessly woven into the fabric and heightens the impact of this celebration of Christ our Lord and King.

Top Christmas Chamber Music Arrangements

by Jacy Burroughs

The Christmas season is one of the busiest times for musicians, with church gigs, themed concerts and holiday parties galore! With the thousands of arrangements out there, it can be difficult to decide what to play. That’s why Sheet Music Plus has come up with this brief guide of our most popular Christmas arrangements to help you get started. The following arrangements are great for both professional musicians and students.  Pros can easily sightread these at a gig and students, with a little more preparation, can have some festive pieces for their holiday concerts. Continue reading ‘Top Christmas Chamber Music Arrangements’

10 Interesting Facts About Aaron Copland

by Jacy Burroughs

Aaron Copland in 1970

Aaron Copland in 1970

1. Aaron Copland (November 14, 1900 – December 2, 1990) was born in Brooklyn, New York to a Jewish family. He was the youngest of five children. While his father had no musical inclination, his mother sang and played the piano and sent her children to music lessons. Copland’s sister Laurine gave him his first piano lessons. She attended the Metropolitan Opera School and would bring home libretti for Aaron to study.

2. When Copland was eleven, he wrote his first notated melody, seven bars of an opera he called Zenatello.
Continue reading ’10 Interesting Facts About Aaron Copland’

Playing in a Pit Orchestra: Anecdotes and Advice from a Percussionist

by Ryan Blauvelt

Places. Lights up. Downbeat. It’s the order of things for playing in a pit orchestra for musical theater productions.  The culmination of many hours of rehearsals, score study, listening sessions, and custom edits in order to bring together cast, crew, and of course musicians for a couple weeks of “showtime!”

It’s spring and that means musical theatre productions.  Playing musicals is something I’m pretty good at, especially when it comes to last minute notice.  I’ve been hooked on playing musicals ever since getting picked to play drum set in my high school’s first musical production, “Guys and Dolls”. It was a lot of pressure being in the driver’s seat for a music ensemble. Also, being depended on by actors and actresses for steady tempos, sharp hits, and joke reinforcement adds another layer of complexity.  But I loved the thrill of learning so much music very quickly and making quick changes to fine-tune my contribution to a well-performed show. Continue reading ‘Playing in a Pit Orchestra: Anecdotes and Advice from a Percussionist’

Top Ten Holiday Gift Ideas for Musicians

1. Alfred’s Teach Yourself to Play Ukulele, Complete Pack – $49.99

Ukulele_starter_packThis great gift idea is perfect for anyone who wants to learn how to play an instrument but doesn’t know how to get started. It comes with everything needed to start jamming away immediately, including the most important part – the instrument!  Ukuleles are fun and easy to play, and this pack comes with a high-quality Firebrand wood ukulele complete with carrying case and extra set of strings. Also included is Alfred’s Teach Yourself to Play Ukulele Course (book, CD & DVD), the bestselling instructional series for beginners of all ages. The course covers everything from basic fundamentals (such as how to hold the instrument) to songs in various musical styles – you can be your own teacher and learn at your own pace.

Homer
E-Commerce Content Manager and Violinist
Continue reading ‘Top Ten Holiday Gift Ideas for Musicians’

10 tips for staying in shape (on your instrument) over the summer

By Jacy Burroughs

 1. Practice in the morning. If you are on break from school, designate a time in the morning for practicing. That way, you can make sure you at least get some practicing in at the beginning of your day. We all know that if we wait to practice later in the day, we may end up making plans, going out, being too tired and making other excuses not to practice.

2. Set a goal. Whether you are a beginner, a high school student preparing for seating auditions or a college student getting ready for a fall recital, the list of goals you can set for yourself is endless! Maybe you want to get better at sight-reading, learn a new song, work through a particular etude book, memorize a piece – make a goal to achieve by the end of the summer. Set interim goals for yourself along the way so you can check in and make sure you’re on track. Continue reading ’10 tips for staying in shape (on your instrument) over the summer’

Sheet Music Plus – Randall Faber Interview (Faber Piano Adventures)

PIANO ADVENTURES – RANDALL AND NANCY FABER INTERVIEW

 

In 2013, Sheet Music Plus attended the Music Teacher’s Association of California Convention . After his keynote address and masterclass, we had the opportunity to interview Randall Faber, co-author of the Faber Piano Adventures Series. In the video, Randall provides his expert advice to teachers and answers some questions sent in from members of our Easy Rebates Program for Music Teachers. Please enjoy, you can read a transcript of the interview below:

Continue reading ‘Sheet Music Plus – Randall Faber Interview (Faber Piano Adventures)’

The Ultimate Classical Halloween Program

By Zachariah Friesen

Halloween is upon us. If you go to any orchestra concert or listen to classical radio during this time you are likely to hear Halloween greats like “Night on Bare Mountain” (Mussorgsky) from Disney’s Fantasia, “In the Hall of the Mountain King” (Grieg), or even “Symphonie Fantastique” (Berlioz). They are classically spooky and fun. If your performers or Classical DJ’s are real professionals, they might even program Piano Sonata No. 2 in Bb (Chopin), which has the famous funeral march theme that everyone hums when trouble is near. Now you know where it’s from; thanks Chopin.

610px-Jack-o'-Lantern_2003-10-31If you’re willing to delve a little deeper, I’ll show you some truly dark music filled with passion and despair. Music you may not know, but music you’ll love from composers you love. Who knew that the same composers who were capable of writing such beautiful music were also able to pull out frightening melodies, disturbing harmonies and unidentifiable orchestral colors. These striking compositional techniques can be likened to combining half the crayons in your box and coloring over and over again in the same area of a blank canvas. Let’s start things off by first visiting the Continue reading ‘The Ultimate Classical Halloween Program’

Tips on Finding the Right College

By Zachariah Friesen

785graduation_cap

The time is drawing near for students to start applying for fall admission to college. If you’re applying right now,  this article is just for you! While it may seem like a daunting task at first,  there are several things that you can do to make the process easier and find the school that is right school for you. Here are some things I found useful when making my decisions:

Research:

– The Internet

10 Performance Etiquette Tips For Musicians

By Zachariah Friesen

1. Dress Appropriately

Generally if you are on a stage and the audience is in a seat, their eye level view is of your shoes and socks. White sox or tennis shoes during a concert are a floggable offense to any conductor. It looks bad and distracts from the performance. Whatever the concert dress code is, follow it. If you can’t dress together how are you expected to play together? If you can’t follow rules, how can you follow music?

2. The Warm Up
It’s bad form to practice things you’re about to perform on stage right before the concert. And really, if you’re practicing it on stage 30 seconds before the concert starts your fate is already sealed. Practicing it on stage before the concert could give the audience the impression you aren’t prepared. And when Continue reading ’10 Performance Etiquette Tips For Musicians’

« Previous PageNext Page »


About Take Note:

Thought-provoking articles by musicians for musicians, music lovers or those that want to learn more about it!

Shop at:

Sheet Music Plus

FREE Newsletter:

Get exclusive discounts and coupons
Sign Up Today →

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 404 other followers

Twitter Updates


%d bloggers like this: