Archive for January, 2018

Gustav Mahler: The Conductors’ Interviews

Gustav Mahler was considered one of the greatest opera conductors of his time; he could even be called the first intercontinental star conductor. But that was not the case with his music; until the 1960s, his compositions were only performed by specialists, the pieces nowhere near belonging to the standard repertoire.

Today, however, performances of Mahler’s music rival those of Beethoven’s in frequency, thus counting Mahler among the most successful symphonists. What happened to cause that change? Continue reading ‘Gustav Mahler: The Conductors’ Interviews’

New Complete 23-Volume Bach Vocal Edition from Carus Verlag

Bach vocal reaches its finale

Carus sets new standards in Bach editions

During the Reformation Jubilee Year, Carus-Verlag Stuttgart in co-operation with the Bach-Archiv Leipzig have completed their ambitious editorial project “Bach vocal” – the Stuttgart Bach Edition now contains Johann Sebastian Bach’s complete sacred vocal oeuvre. From now on, the choral and orchestral material of all the motets, masses, passions, oratorios, as well as more than 200 cantatas by the famous kantor of St. Thomas’s Church – all at the current state of research – is available from Carus. Here, Carus has set a new standard since within the realm of sacred vocal music, many works were last edited 50 or more years ago, and most of them did not include performance material.

Conductors, singers and instrumentalists were obliged to fall back on material from the 19th century which does not do justice to present-day standards with respect to historically informed performance practice. Many of the alterations in the music text which are based on most recent findings are indeed audible; they have been recorded on CD by the leading Bach interpreters of our era, for example, Frieder Bernius, Hans-Christoph Rademann and Masaaki Suzuki.

Continue reading ‘New Complete 23-Volume Bach Vocal Edition from Carus Verlag’

Piano Methods Correlation Chart

The Faber Piano Adventures Correlation Chart is a helpful resource for piano teachers because it shows what topics are addressed at each Piano Adventures level and how that corresponds to books in other piano methods series. For example, if you have a student who you just finished the Bastien Piano Basics primer book, you would start her with Piano Adventures 1B.

Piano Methods Represented in Chart:

To save a copy of this chart for your future use click here: Faber Piano Adventures Correlation Chart

Shop piano methods on Sheet Music Plus

 

Sacred Spotlight: Good Marshmallows

Guest post by Mark Cabaniss

Years ago, I had the privilege of participating in a week-long choral arranging workshop led by legendary choral composer/arranger Alice Parker, held at Westminster Choir College in Princeton, New Jersey.  That week spent with Ms. Parker had a tremendous impact on not only my own choral composing and arranging, but my eventual role as a publisher as well.  Of the many wise and invaluable things she said to the class, one of several that resonated with me was when she said “There are good marshmallows and bad marshmallows.” Continue reading ‘Sacred Spotlight: Good Marshmallows’



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