Posts Tagged 'music student'

Improve Your Ear!

By Carolyn Walter

You may find it strange to see a sheet music-related blog advocating playing music by ear. However, many experienced musicians – including those in our office – would agree that musical proficiency isn’t some stark dichotomy, with “good readers” in one camp entirely separate from people who “just play by ear.” To become a complete, balanced musician, and fully enjoy all that the art form has to offer, a performer must possess sound aural skills right along with a high level of musical literacy.

Start Simple:

Like a lot of things, playing by ear comes most naturally when a young musician is introduced to the concept from the very beginning.  For those lucky enough to be starting off on their musical journey, many beginning method books now feature added emphasis on playing by ear and improvising. The ever-popular Alfred’s Basic Piano Library series includes a corresponding set of books focusing solely on ear training:

Alfred's Basic Piano Library - Ear Training Book

Alfred’s Basic Piano Library – Ear Training Book

As for those of us who have been playing for many years without Continue reading ‘Improve Your Ear!’

10 Facts about the Oboe

By Zachariah Friesen

Oboe

Oboe

Fact 1: What’s an oboe? Oboe is a double reed instrument. A double reed consists of two flattened blades of bamboo that produce sound through the vibrations of one blade against the other.

Fact 2: A reed? A double reed!? Yes, actually serious oboe Continue reading ’10 Facts about the Oboe’

Artist Interview – Hans-Gunter Heumann (The Classical Piano Method)

 Hans-Gunter Heumann

Hans-Gunter Heumann

By Brendan Lai-Tong

If you’re a music teacher, it’s likely that you are on the lookout for the something new to help teach your students more effectively. Whether this is new repertoire, etudes, or method books, it’s always nice to branch out to see what else is out there. You’ll never know when  something new will work really well for a particular student!

While we were at the Music Teachers National Association Convention in Anaheim, California we had the pleasure of meeting Hans-Günter Heumann. Many of you may know of his contributions to the piano repertoire. His original compositions, arrangements and educational methods for piano are enjoyed by pianists around the world, especially in Germany.

Hans-Günter studied at the Continue reading ‘Artist Interview – Hans-Gunter Heumann (The Classical Piano Method)’

The Origin of the “New Symphony”

Hans Rott

Hans Rott

By Zachariah Friesen

Hans Rott was a prodigy. His new approach to the symphony was admired throughout Austria and was the subject of great discussion in musical circles in 1880. He was a Wagnerian composer, now considered the long lost link between fellow Austrian composers Anton Bruckner and Gustav Mahler. Likened to those Great Masters, Rott’s innovation and development of his themes as well as the orchestration and the propensity for heavy brass writing characterized his music. Themes of his Symphony No. 1 in E minor are nearly identical to that of Mahler’s “Titan” Symphony No. 1 that radically changed the concept of a symphony forever. It is believed Continue reading ‘The Origin of the “New Symphony”’

Tips for Teaching Rhythmic Fundamentals to Music Students

By Carolyn Walter

I can scarcely think of anything more fundamental to musicianship than rhythm. With few exceptions, I find that a solid rhythmic foundation is truly the root of a good performance.  A piece played with otherwise flawless accuracy sounds sloppy or even falls completely apart without proper rhythmic control; never mind if the notes were pitch perfect, the dynamics were  masterful and the ornamentation was authentic. I feel this is true regardless of ensemble size, style or instrumentation.  A choir/orchestra with 100+ members needs to hold together with precision, as does a small ensemble with just a handful.  Even an unaccompanied soloist playing in a very free, rubato style must have a strong sense of pulse to deliver her musical message most effectively.

Like so many things in music, the basics of solid time and rhythmic notation and accurate interpretation can be explained in a few hours . . and perfected over the course of one’s entire life.   While the elementary process of counting correctly can be summarized in just a couple of pages in a basic theory or method book like the following:

Alfred's Essentials of Music Theory Standard of Excellence Edly's Music Theory for Practical People

I find that Continue reading ‘Tips for Teaching Rhythmic Fundamentals to Music Students’

10 Facts about Mahler

By Zachariah Friesen

Mahler

As a young aspiring trombone player, exploring the world of Gustav Mahler, I listened to his 5th Symphony at least 20 times before I understood any of it. One night, after returning from an audition in Los Angeles, I listened to his 5th Symphony on repeat all the way back to San Francisco. At about 2am, and the 3rd repeat of the symphony I was finally able to wrap my head around it. The next hour listening to that symphony was truly one of the most enjoyable moments of my life. Here are some things that I’ve learned about Mahler that you may not have known: Continue reading ’10 Facts about Mahler’

Artist Interview – Donn Bradley (Audition Tips for Singers)

By Brendan Lai-Tong

Donn Bradley

Donn Bradley

As many of you already know, the audition process for obtaining singing roles in opera, musicals and other shows can be quite challenging. Just like singing, auditioning is a skill, and it can take a few tries to get a grasp of how the process works.

Today we will be sharing singing and audition advice from Lyric Baritone and Character Tenor – Donn Bradley. Donn is a native of Santa Cruz, CA, and current resident of wherever the work is, USA. Donn is a versatile singer, with solid technique in Opera, Musical Theater, and several popular styles.

He has performed five major roles with Townsend Opera, and narrated five major works for the Modesto Symphony Orchestra including Façade by William Walton, and performed as Bass soloist for Beethoven’s 9th Symphony with VITA Academy in Sacramento (2008).

Previous major Opera/Operetta roles include: Ko-Ko in The Mikado (2012), Major General Stanley in Pirates of Penzance (2011), Njegus in The Merry Widow (2010), Monostatos in The Magic Flute (2009), Sir Joseph Porter in HMS Pinafore (2009), Dr. Falke in Die Fledermaus (2001), Papageno in The Magic Flute (1998), The Pirate King in Pirates of Penzance (1998), and Louis in The Wandering Scholar (1997).

Hi Donn, thanks for taking the time to interview with us.

What inspired you to start a career in music?

I have been able to sing my whole life, though my Continue reading ‘Artist Interview – Donn Bradley (Audition Tips for Singers)’

10 Tuba Facts

By Brendan Lai-Tong

Since its introduction into symphony orchestras in the mid-19th century, the tuba has gone largely unheralded as a vital member of the brass section. Its large collection of brass tubes creates a deep rich tone.

Tuba

Although it is the anchor of the orchestra’s brass section, most people know little about the instrument. Once you get to know a few facts about the history and use of the tuba you’ll find a new appreciation for the instrument, or at least you’ll be able to recite enough rare tuba facts to amaze a captive audience.

  1. The Tuba was invented by Willhelm Friedrich Wieprecht and Johann Gottfried Moritz in September 12, 1835.
  2. Tuba is a Latin word meaning trumpet or horn. Continue reading ’10 Tuba Facts’

10 Interesting Facts About Flute

By Brendan Lai-Tong 

Flute

When many people think of flutes, they think of  a transverse flute, which is typically used in bands and orchestras. The flute has been a part of history for thousands of years and has evolved over that time into the instrument that is often seen today. Here are ten facts you may not have known about the flute:

  1. A musician who plays the flute can be referred to as a flute player, a flautist, a flutist, or, less commonly, a fluter.
  2. There are many different sizes of flutes within the flute family: piccolo, alto, tenor, bass and contrabass flute.
  3. Standard concert flute is Continue reading ’10 Interesting Facts About Flute’

Music in Community – Paul Herrera

By Brendan Lai-Tong

Hi Sheet Music Plus Fans, welcome back to our Music in Community Series. As many of you already know, budgets for school music programs are very tight. As a result, music directors need to find creative ways to raise funds to provide their students with the musical education that they deserve.

When I was in band, the band parents organized several fundraising opportunities in order to raise the funding necessary to support the program. Bake sales, holiday gift wrapping drives, candy and even cheesecake sales were part of our regular yearly schedules. If there was an opportunity to raise funds, our band was on top of it.

If you didn’t already know, Sheet Music Plus has a great way for organizations to raise funds called Fundraising Plus. Organizations will receive a personalized URL to share that directs to our homepage. Any purchases that are made after clicking through this link will accrue 8% cash back. This is a great way to quickly raise funds for your educational endeavors. Find out more here.

Paul Herrera

Paul Herrera

Today, we’re featuring Paul Herrera, director of Continue reading ‘Music in Community – Paul Herrera’


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