By Zachariah Friesen
Halloween is upon us. If you go to any orchestra concert or listen to classical radio during this time you are likely to hear Halloween greats like “Night on Bare Mountain” (Mussorgsky) from Disney’s Fantasia, “In the Hall of the Mountain King” (Grieg), or even “Symphonie Fantastique” (Berlioz). They are classically spooky and fun. If your performers or Classical DJ’s are real professionals, they might even program Piano Sonata No. 2 in Bb (Chopin), which has the famous funeral march theme that everyone hums when trouble is near. Now you know where it’s from; thanks Chopin.
If you’re willing to delve a little deeper, I’ll show you some truly dark music filled with passion and despair. Music you may not know, but music you’ll love from composers you love. Who knew that the same composers who were capable of writing such beautiful music were also able to pull out frightening melodies, disturbing harmonies and unidentifiable orchestral colors. These striking compositional techniques can be likened to combining half the crayons in your box and coloring over and over again in the same area of a blank canvas. Let’s start things off by first visiting the Continue reading ‘The Ultimate Classical Halloween Program’