by Jacy Burroughs
Wolfgang Amadeus Mozart
(27 January 1756 – 5 December 1791)
1. Mozart was baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart. (Imagine trying to learn to write that name!) His first two names, Johannes Chrysostomus, represent his saint’s name, following the tradition of the Catholic Church. This saint’s name was in all likelihood chosen because Mozart’s birthday, January 27th, was the feast day of Saint John Chrysostom. Wolfgangus, or Wolfgang in German, means Continue reading ’10 Interesting Facts About Wolfgang Amadeus Mozart’
Published October 24, 2014
Tags: Baerenreiter Verlag, Breitkopf and Haertel, Classical music, classical Urtext Editions, Edition Peters, G. Henle, music editions, Urtext, Urtext Editions, Wiener Verlag
by Kevin Harper
We’ve all seen the term “Urtext Edition” when shopping for sheet music. But what does that mean? How is it different from other sheet music? Let’s begin with the definition of “Urtext”.
Germans famously love to combine separate words into one long word. In this case, we have the German words Ur and Text. The oldest city in the world was the city of Ur in modern-day Iraq. This word became part of the German language, meaning original, ancient, or great. For example, Great-grandfather in German is Urgrossvater. In the case of the popular German beer Pilsner Urquell, Urquell means “old source” or “old recipe.” (Quell means source.) Germans use Ur to describe something that is not only very old, but also respected and distinguished.
The meaning of Text in German is easy to figure out. It is a cognate of our English word, which means they have the same definition.
So we’ve established what the word Urtext means, but what in the world does it have to do with music? Publishers use the term to refer to old editions of music, particularly those that have the music written in the hand of the composer, or with annotations and guidelines in the composer’s own words. Continue reading ‘What is an Urtext Edition?’
By Jacy Burroughs
The Classical period of music had its advent in Italian music of the early eighteenth century and extended into the early nineteenth century. Some musicologists mark the end of the Classical period around 1815, at the end of Beethoven’s compositional middle period. However, the Classical period truly overlaps with both the Baroque and Romantic periods. Characteristics of and performance considerations for Classical period music are outlined below.
Continue reading ‘Musical Characteristics and Performance Practice of the Classical Period’